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Exclusief interview met Star Wars auteur Jason Fry

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Interview met Star Wars auteur Jason Fry

Enige tijd geleden raakte ik in contact met Star Wars auteur Jason Fry. Zijn CV is behoorlijk indrukwekkend: hij schrijft al jarenlang Star Wars boeken en verhalen en titels als The Essential Atlas, The Weapon of a Jedi en The Force Awakens: The Incredible Cross Sections zijn allemaal van zijn hand. 

Jason Fry was meer dan bereid om mee te werken aan een interview en hieronder kun je het resultaat lezen! Hij wist zelfs (en dit is echt een primeur) iets te vertellen over een personage uit The Force Awakens wat nog nergens anders te lezen was!

Interview met Jason Fry

How did you become a Star Wars fan?

I was eight years old when A New Hope – which back then was just Star Wars – hit theaters. I went with my folks to see it in a crummy theater in Lake Grove, N.Y., with no idea what to expect. Princess Leia’s ship came roaring across the screen, which was cool, but then Darth Vader’s Star Destroyer came across the screen chasing it – and kept coming and coming. By the time I saw that Star Destroyer’s engines I was hooked and knew my life had changed.

How did you land the job in the Star Wars industry?

I got to know my friend Dan Wallace through the old America Online Star Wars discussion boards in the mid-1990s. Dan and I both loved Star Wars geography, and he’d landed a gig writing The Essential Guide to Planets and Moons for Del Rey. I had a database of Star Wars planets that I’d created, and wanted to send it to him but hesitated because I was worried he’d think I was trying to step on his turf. When I finally did send it Dan was basically done with the book, and he was like, “Man, this would have been really helpful – why didn’t you send it before?”

So lesson learned.

Dan very kindly suggested that we team up to work on some articles for the old Star Wars Adventure Journal from West End Games, and I got vetted by Lucasfilm as part of that. I was so excited – and then the Adventure Journal folded. And I thought, “Oh no, there goes my big chance!” (We wound up working together with our friend Craig Carey from WEG to write articles for the short-lived magazine Star Wars Gamer.)

Happily, I got another shot – the Star Wars Insider was looking for a books columnist, and took a chance on me. If I recall correctly my first column was about Vector Prime, which I read under a strict vow of silence before interviewing Bob Salvatore. That was my first Star Wars publishing credit, back in 1999.

From there I put my hand up for any Star Wars job I could get. I wrote RPG material for Wizards, relying on what I could remember of first-edition Advanced Dungeons & Dragons, and spent years as the Insider’s book columnist. All of that was fun, but I got my big break when DK hired me to write the Clone Wars Visual Guide (which came out in 2008) and Del Rey gave in and let me and Dan try to turn our crazy idea about mapping the Star Wars galaxy into an actual book.

You have written a lot of Star Wars books and stories. Really a LOT. Which book/story are you most proud of?

Hmm. That’s a tough one, because my projects have been so different. I loved writing The Essential Atlas with Dan. That book was quite literally a dream come true. Back when I was 13 or 14 I dreamt I’d gone with my parents to the bookstore in our mall and bought a book called The Atlas of the Star Wars Galaxy, which I’d read avidly in the back seat of the car on the way home. It was one of those vivid dreams that leaves you a bit confused when you wake up about what’s real and what’s not. I was lying in bed and thought happily about my cool new book, figuring that I had school and track practice but then I’d be free to come home and read some more. Which was when I had that “Oh no” moment and realized it was just a dream.

Years later Dan and I made that dream a reality. I mean, sure, it took 30 years, but it happened! So that book will always be really close to my heart.

I also loved writing the four-book Servants of the Empire series, about Zare Leonis. Those books got into some pretty deep stuff while being entertaining adventures, and I really liked Merei, a character I invented as a foil/ally for Zare. And I loved working on Weapon of a Jedi and Moving Target, because they gave me a chance to tell stories starring two characters I’ve loved since I was eight years old.

If we can step outside of Star Wars for a moment, I think the second book in the Jupiter Pirates series – The Curse of the Iris – is the best thing I’ve ever written. (If you’re not familiar with Jupiter Pirates, I hope you’ll check out jupiterpirates.com.)

Of course I hope to top that someday soon, whether it’s with a Star Wars tale or something else – you always want your most recent book to be the best thing you’ve ever written.

Honestly, it’s pretty rare that I have a Star Wars project I don’t love. I pinch myself every day that I get to do this. I’ve been insanely lucky.

JF2

The Weapon of a Jedi en Moving Target: de twee boeken van Jason Fry die op 4 september 2015 verschenen.

On Force Friday your book ‘Weapon of a Jedi’ was released. I’ve read it and (just like everyone else) love it. It is already a fan favorite; every review I’ve read is very positive. What is your secret? How did you approach the task of writing this novel and why do you think it’s so popular?

I’ve read some negative reviews of it! But that’s OK – as an author it’s really important to understand and accept that you cannot win them all. One person will think your book is an instant classic and another person will hurl it across the room. That’s showbiz, baby.

Lucasfilm gave me the basic plot of The Weapon of a Jedi – Luke explores mysterious ruins on a jungle world in search of Jedi lore, and winds up dueling a determined enemy – and we went from there.

Which definitely meant some pressure. Luke is such a beloved character – there are many Star Wars fans who have spent their whole lives watching and reading his adventures, and they have superb radar for how he thinks, speaks and acts. If you get that wrong, they’re thrown out of the story. I should know because I’m one of those fans, and Luke is a tricky character to get right – one I’ll admit I’d never felt I had a handle on. To figure that out I went back to the movies, to Mark Hamill’s performance and how that shaped the character George Lucas had created. I watched how Hamill held himself, and how he reacted to other characters, and delved into Hamill’s stories about interacting with Lucas in finding the right tone for the character. That helped, and so did a fan’s note on TheForce.net discussing what an odd action hero Luke is – he’s more reactive than active, almost gentle. Which is absolutely right. Think about it: In A New Hope Luke destroys the Death Star by letting go and allowing the Force to guide his X-wing’s proton torpedo. In Return of the Jedi he defeats the Emperor by throwing his lightsaber away and appealing to his father. It’s only in The Empire Strikes Back that he behaves like a conventional action hero – he rushes off to fight Darth Vader and save his friends. So what happens? He nearly gets killed and his friends have to risk their lives all over again to save him. That exploration turned out to be really rewarding. It unlocked Luke for me in a way that hadn’t happened before, and that was simultaneously helpful as a writer and a lot of fun as a fan.

As for why the book’s been popular, it has nothing to do with me. I mean, come on — it’s a Star Wars book about Luke Skywalker! My name is far and away the least important thing on that cover.

In ‘Weapon of a Jedi’ we meet a new character: Sarco Plank. Could you tell something about how you created this character? And will we see more of him in upcoming books or comics?

The character started with Lucasfilm, and was always intended to be Luke’s antagonist. I originally wrote him as a kind of placeholder – known just as “the Scavenger” — because I knew I wouldn’t have access to any art or descriptions of him until later in the process. That turned out to be pretty interesting: I tried leaving the character essentially as a “blank” in the narrative but found I couldn’t do it, because having him undefined messed up the dynamic between him and Luke and the droids.

So I shrugged and made the Scavenger into an old, scarred Devaronian outcast. His first name was mine – I was riffing on “sarcoma” – and I’m pretty sure the last name came from Lucasfilm. The funny thing is I knew that Sarco’s description would change, but I still felt a little sad when I got the art reference and had to switch out the old Sarco for the new one. We get really attached to our characters, even when we know better.

Another unexpected aspect of that process was there are pretty profound differences between how the original Sarco perceived the world and how the character you’ll see in The Force Awakens does. Sorry to be vague, but you’ll know what I mean soon enough. That was an interesting challenge given the interplay among the characters – some scenes still worked fine, some had to be tweaked, and a few had to be rethought. Something similar happened with the mounts Luke and Sarco use in The Weapon of a Jedi. There, once again, I was a little bummed to sub out the cool creature I’d thought of as a placeholder even though I’d known that was going to happen. Fortunately, I found myself needing mounts for scenes in the fourth Zare Leonis book, The Secret Academy. So the creature I’d invented – the diplopod — got to live another day.

JF3

De mysterieuze Sarco Plank in actie in ‘The Weapon of a Jedi’.

With Cecil Castellucci you co-wrote another new Star Wars novel: ‘Moving Target’. What in this novel are your ideas/influences?

Collaborations are interesting things that can be pretty personal for the authors involved. So sorry, but I’d rather keep that one between me and Cecil. We relied on the Force, let’s say that. Well, the Force and the kind folks at Lucasfilm and Disney. What I will say beyond that is Cecil and I both had spent our whole lives loving Leia Organa as a character – she deserves so much credit as an assertive, no-nonsense boss who did a lot to break down the traditional confines about gender roles. We were both thrilled by the chance to work together in telling a story that would dig into Leia’s thoughts and her character.

Suppose there are readers who want to write official Star Wars books as well; what advice would you give them?

No one wants to hear this, but it’s my duty to say it: If your starting goal is to write Star Wars, stop.

I got really lucky and even then it was years and years before I got to write anything in that setting, let alone tell stories of my own. If you start off as a writer with Star Wars as your goal, you’re almost certainly going to wind up discouraged because it will take so long and so much has to go right no matter how hard you work.

If, on the other hand, you love to write and tell stories and your goal is to do that, full speed ahead. Develop a professional track record and start figuring out your own stories and characters and bringing them to life. It will take a long time to get openings and to get command of your craft, but if you love what you do you’ll enjoy the journey. If things go well and you get some breaks, you might eventually be offered the chance to play in someone else’s universe, whether it’s a galaxy far far away or something else. And if not you’ll still be having fun and hopefully seeing a little success.

The biggest reason I got hired by the Insider back in 1999 was I had years of newspaper experience, which meant I had a track record of writing successfully, meeting deadlines and being easy to work with. Yes, I was a Star Wars fan, but that was essentially a coincidence. It was my professional background that got me the shot.

For anyone I haven’t scared off, the good news is it doesn’t particularly matter what you do to get that professional track record – you can work for a local newspaper, magazine, website, etc. Editors want to see that you can write and are reliable — the subject matter isn’t so important. So go out and write. Do good work, prove you’re reliable, and enjoy yourself. Success – in whatever form it takes — starts there.

What can we expect from you in 2016 and beyond? I love scoops (especially when they’re Star Wars related) so please tell us!

Sorry, I can’t reveal anything before it’s announced by a publisher. I do have two things in the works, but they’re still under wraps. Also, the third book in the Jupiter Pirates series comes out in June, and I’ll have a free short story on jupiterpirates.com, probably in January. And lots more, I hope!

JF

Finally, the readers of StarWarsAwakens.nl could post questions for you on our website. I’ve selected 3 of them:

What is your favorite Star Wars planet you’ve created?

Anaxes, which I created way back at the beginning of my Star Wars career for Coruscant and the Core Worlds, a roleplaying book for Wizards of the Coast. I’ve always liked the Imperial Navy and its traditions, so I thought it would be fun to create a planet that was basically its Annapolis – an “Officer and a Gentleman” type setting steeped in tradition, history and the lore of the service. So I proposed that and Wizards and Lucasfilm said yes.

It was really cool when the Clone Wars production team decided to use Anaxes as the setting of an arc – it’s in the “Bad Batch” series of animatic episodes on starwars.com. Though they did decide that Anaxes then got blown up somehow. Oh well!

Is there a Star Wars character you’d love to write a book about?

Han Solo. The funny thing about writing The Weapon of a Jedi is I was a Han guy as a kid. I didn’t really get Luke – I thought he should have joined Han and Chewie at the end of A New Hope instead of becoming a rebel. I mean, Han and Chewie get to hang out in cantinas and blast bad guys and play pirate aboard their cool starship – how is that not more fun than taking orders as a soldier? (Yes, I would have made the worst member of the Rebel Alliance ever.) I admitted this at New York Comic-Con on a panel where I was sitting next to Greg Rucka, who wrote Smuggler’s Run. And Greg looked over and said, “the funny thing is I grew up as a Luke guy.”

What is your favorite Star Wars book that was written by another author?

The original Han Solo adventures by Brian Daley, written in the earliest days of what was not yet called the Expanded Universe. They’re just great – exciting, fast and funny. And I still think they’re the best portrayal of Han Solo outside of the movies.

Mr. Fry, thank you for this great interview!

Indien je meer over Jason wil weten/lezen: check zijn Tumblr of volg hem op Twitter!

Wil je meer Star Wars Interviews lezen? Check dan deze site. Toekomstige interviews zullen voortaan zowel op deze site én op StarWarsAwakens.nl verschijnen!

Geboren toen de opnames van A New Hope van start gingen. Voormalig assistent van Anthony Daniels. Auteur van de 'Star Wars Interviews' boekenreeks waarvoor hij 180+ cast en crewleden interviewde. Trots op zijn vermeldingen in de credits van de boeken The Making of Return of the Jedi, Stormtroopers: Beyond the Armor, The Star Wars Historical Sourcebook, The Star Wars Archives en Star Wars Icons: Han Solo.

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Interviews

Exclusief interview met Nick Stanner (Stunt performer – The Mandalorian)

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Wat zou Star Wars zijn zonder goede stuntlui? Iemand moet de stormtrooper zijn die door een vlammenwerper in rook opgaat of van een rots af valt!

In The Mandalorian ging stuntman Nick Stanner meer dan 30 keer ‘dood’ en was hij als diverse personages te zien. Van Mandalorian tot stormtrooper! Onlangs interviewde ik hem voor StarWarsInterviews.com en zoals altijd is het ook hier te lezen!


How did your journey in movies start? How and why did you become a stuntman?

Growing up in Omaha, Nebraska I was not around film at all. I grew up competing in Gymnastics for my parents’ club all the way through college. I was always flipping off something and in eighth grade I remember watching a movie, not sure which one, but I mentioned I wanted to “do that” as I pointed at the screen. My mom asked if I wanted to be an actor, and I said, “No, I wanna do the cool stuff!” Mom said Oh a stuntman?! I said yeah, and went back to being an eighth grader. Fast forward to after college, I was looking for a new apartment in Lincoln Nebraska where I went to collegians was telling my mom and she said, “I thought you said you wanted to go be a stuntman! When are you going to do that?” The second I heard my mom say that and I knew she supported me no matter where I was, I decided to leave. I headed to Florida to get involved with the live stunt shows at the theme parks like Indiana Jones at Disney, Sindbad at Universal and many others in the Orlando area. Once I got into some of those shows I started to meet people in the film industry.

How did you manage to get hired for The Mandalorian TV series?

One of my best friends that I met at the very first show I did when I moved to Florida was Ryan Watson, the Stunt and Fight Coordinator for The Mandalorian now. We have known each other since 1999. He is one of the best in the industry for fights and creative camera work.

Which characters did you play as a stuntman? The Mandalorian himself?

I played a mandalorian, but not THE Mandalorian. The Mandalorian stunt double is Lateef Crowder. He is amazing with movement. I played numerous characters. I died 32 times in the first eighth episodes, many as a stormtrooper. I did all the high falls so any time someone falls from a roof, that’s me. You can count at least four in the final battle in episode 1. 3 falls in one circle of the gun and one when IG-11 shoots me before they walk in the door. That’s a couple examples, but I am all over the place. I also was the green face guy with Carl Weathers and speeder bike trooper.

You just mentioned that you ‘died’ 32 times. What was your favorite death scene?

Each death was unique. My favorite is high falls, which is why I get to do them all, but being torched by mandos flame thrower as a stormtrooper.

Which of these characters was your favorite?

They are all fun to play, but there is nothing like being a jet pack mandalorian flying on wires. Kids dream come true!

Did you meet the Mandalorian himself, Pedro Pascal? How was he to work with?

I met everyone and worked with the whole cast! It’s an amazing crew with no lack of talent and everyone is very down to earth. Being there every day, I had a chance to get to know everyone pretty well. Pedro is a jokester so we got along great. I’m a big comedy fan so I enjoyed Bill Burr.

Did any weird or funny things happen on or off the set?

There were a few funny moments on set. Lots of laughs all around really but when it was time to work playtime was over. Off the set there was plenty of laughs and good times. When you’re working 10-14-hour days it takes the whole crew to keep everyone in good moods and in the film biz there is no shortage of laughs.

What is your favorite anecdote regarding the production of The Mandalorian?

My fave laughs, not sure of anecdote, was when Bill burr would mess with the crew. He has such quick wit and had the entire crew laughing!

Were you a Star Wars fan before you got cast?

I was a so-so Star Wars fan. I liked the movies, mainly the first 3, and saw them pretty young. Being involved has brought me a little deeper into the world but I would not consider myself a diehard fan.

The question I have to ask every stuntman: what is the most dangerous stunt you’ve ever done?

Most dangerous stunt would be getting hit by car in Death Sentence with Kevin Bacon, or a 9-story high fall while being lit on fire, but it could be being hung underneath a helicopter by 75 feet of cable and flown over Los Angeles! Hard to pick just one, they are all super fun to me!


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Interviews

Exclusief interview met Jake Cannavale (Toro Calican)

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In aflevering 5 van The Mandalorian maakten we kennis met de jonge premiejager Toro Calican, gespeeld door Jake Cannavale. Speciaal voor zustersite StarWarsInterviews.com beantwoordde hij kort enkele vragen!


How did you get cast for The Mandalorian and were you a Star Wars fan?

They asked my agent if I would like to be in it. And I’m a massive fan and always will be.

How did the shooting of your scenes (most of them with Pedro Pascal) go?

They went very well. There was not a single difficult person to work with on that entire set. In my so far very short career that’s already not something I take lightly. Pedro Pascal was awesome! Mad love to Pedro.

You were directed by Dave Filoni, who many fans see as George Lucas’ heir. What is your opinion of him?

Other than the fact that he genuinely loves The Phantom Menace I have literally nothing bad to say about Dave. He’s the man. I loved working with him as an actor, and I have nothing but faith in him as a fan.

Did any weird or funny things happen on or off the set?

During me and Ming’s fight scene, Dave told her stunt double -whose name is also Ming- to actually kinda beat me up…it looked fantastic.

What is the best memory you have regarding The Mandalorian?

Probably knowing beyond the shadow of a doubt that I can pull off a blue leather outfit.

Besides acting you’re also a musician in a band called Vixen Maw. How would you describe the music you make and who are your musical influences?

Vixen Maw is an experimental grindcore band. I would describe us as the musical equivalent of getting lobotomized by an unlicensed brain surgeon with Parkinson’s disease and medical fetishism. I don’t like to speak on behalf of my band members (or anyone, as a general rule) but I can say we are all pretty eclectic in terms of our musical tastes, with extreme music being the anchor, or epicenter, so to speak. So our influences are pretty all over the place. I will say that we are currently writing a new album from our own respective quarantine spots and some of the bands I’ve been listening to for inspiration include Chepang, Bandit, Narayama, Vulva Essers, Cloud Rat, Botch, Wormrot, Coke Bust, Gulch, and Bryan Adams.

You’re almost 25 years old. Where do you see yourself in 10 years and what are your career goals?

In ten years I see myself hopefully having had enough memorable screen time to be sampled in some kids shitty grindcore band that his parents are sick of hearing rehearse from their garage. Also I would genuinely love to be writing for a living. Theater, film and animated television.


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Interviews

Exclusief interview met Richard Stride (Poggle)

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Door de jaren heen is er de meest grappige en bizarre Star Wars trivia in boeken en op internet verschenen, maar wat de geur(!) van de Death Star plannen was -tot vandaag!- goed bewaard gebleven!

In een interview met zustersite StarWarsInterviews.com deelt Richard Stride (die aan Attack of the Clones en Revenge of the Sith meewerkte) een leuke anecdote.


How did you get started in the movie business and how did you get the parts of Poggle and a Clone Trooper in Star Wars?

I went to drama school at the Academy of Live and Recorded Arts and in 1993 I graduated and went straight into a Hollywood movie called First Knight. I actually was originally cast as Obi-Wan’s double for the films Episode II and III. However, I gained many extra characters along the way.

How did you play Poggle?

I was in motion capture suit and had a great scene with the late Christopher Lee. When filming the scene with Christopher Lee, with the Death Star plans, I made a remark to the props guy that how clever even the smallest props where in design and craftsmanship in even the Death Star Plans. He started to laugh which was strange and when I asked him what was so funny he told me they had forgot to make them and he had to dash out the day before and went to Halfords and it actually was a car air freshener. So I told Christopher Lee when handing over the Death Star plans it was something to freshen the whole Galaxy with.

Can you share some of your memories regarding the time you worked on both movies?

I loved it. I spent all my time on set and didn’t really go to the green room as it was so much more interesting to watch other peoples scenes etc. It was lovely to be part of a big family on set and chat to so many interesting people.

How did George Lucas direct you?

He is a very visual director and has a very clear idea of what he is after. You have to put your trust fully in a director as they can see everything, and that’s what I did.

Did they give you any memorabilia after the movie was finished?

I was given a T-shirt and a signed call sheet on the last day of filming and a personal thankyou of George Lucas.

When was your first encounter with the Star Wars phenomena?

I saw it as a child on TV and loved it. I watch it over and over again.

What are your thoughts on the two Star Wars movies you were in? 

I liked them and they are great movies to keep returning to as you learn something new each time.

What do you regard as the highlight of your career so far?

I loved doing Star Wars, but also Shakespeare in Love, and playing Hamlet for the stage.


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Interviews

Exclusief interview met Paul Brooke (Rancor Keeper)

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Het is een van de meest bekende scenes uit Return of the Jedi: de scene waarin we een huilende Rancor keeper zien met op de achtergrond de zojuist door Luke verslagen mega monster. Afgelopen december was de Britse acteur Paul Brooke die deze rol vertolkte te gast op de EchoBase conventie in Utrecht. Uiteraard sprak ik hem voor mijn site StarWarsInterviews.com over de wellicht meest bekende seconden uit zijn leven én kwam ook een van de meest bekende acteurs allertijden ter sprake. Volgens traditie is het interview ook hier te lezen.


How did you get cast for Return of the Jedi?

I was touring India with a play for the British Council and my manager had trouble getting in touch with me because we were moving around from city to city. When we got to Calcutta, there was a message in the hotel waiting which said, “I’ve accepted two days filming for you the week you get home”. You have nothing to do. But we both made the money. Which made me laugh at the time and hadn’t really made me laugh ever since because I feel like I’m privileged to be even in a small role, the smallest role I ever played in front of a camera in a lucky career where I’ve rarely stopped working. But how lucky I was to be part of this extraordinary franchise.

What was your initial feeling when you got the part? Star Wars was very popular and this much anticipated movie promised to be big; it had the biggest budget of all three.

I wouldn’t have known that from my two mornings. But having said that, I’ve appreciated it, to be honest, more over time than I did at the time. For the reason that I’ve given you. Because I was nice and busy, I was lucky with work, and I was normally playing much better parts. But then the fact that people remember after all these years and that I get mail every week shows that even if it’s a small part, if it works, which is not just tied to the actor, of course it’s down to the script and everything. But if it works, it can make an impact that people will stick with. I’ve had the most extraordinary stories from people over the years of not only of their enjoyment, but of the passing on their enjoyment to their children and even grandchildren, which is rather touching. Probably if I’ve been offered the part and I was at home because I had loads of work where I had more to do, I would probably have turned it down and I would have regretted it like mad with hindsight.

Did you see the other two movies?

I think I’ve seen them both. I’ve certainly seen Star Wars. I was amazed and surprised that a very intellectual British theatre director, a famous guy at the time called William Gaskell, who I worked with at Royal Court Theatre, a pioneering theatre in London and who was rather up-market in all sorts of respect. I was doing a play with him before I got offered Return of the Jedi and he came out with the fact that he was a huge Star Wars fan. At the time I hadn’t seen the film and I didn’t think I thought, well Sci-Fi not particularly my scene. But then when Gaskell said, but it’s wonderful, it’s absolutely wonderful. You have to see it. So, I did and I was hooked like all the millions of others over the years.

What do you remember about the filming of your scenes?

The main thing I remember is how short it was. I did the little bit with Mark Hamill and then the following morning it was just me on a rostrum in front of a blue screen. No Rancor and nobody except for me being given directions by Richard Marquand, the director. Raising my head a little, turning the right a little up a little more. Now you’re looking at the Rancor, which of course I wasn’t, because the Rancor wasn’t there. And then on the cue having to burst into tears. That was my experience from the acting point of view. I mean, that in itself is not easy because normally you have other actors or even if the Rancor had been there in some shape or form you can respond to that. Responding to thin air is not always easy.

Did you know then what the Rancor looked like?

No, not at all.

The first time was when I saw the film and the first time I was actually WITH the Rancor was two years ago in Kentucky when this guy who built a huge Rancor for thousands of dollars and who takes it round the conventions, making money from people to be photographed with the Rancor. He said my model is up, would you pop up when you have a break, have some photos taken? I said “of course!”, and it was stunning.

Can you share any remarkable, unique, strange or funny things that happened?

I think the strangest is what I’ve already told you because it was so brief. I didn’t get to know any of the other actors. So, I said hello and shook hands with Mark Hamill. There were no personal stories. The strangest thing I think was the only time at that that I had to do something which was apparently responding to a creature that wasn’t there. But I’ve had other strange experiences in films and television. Maybe the strangest acting during a scene with Marlon Brando in an anti-apartheid film called Dry White Season, where although he was there and huge at the time. He was one of the only actors who made me feel small. It was really delightful, but he didn’t learn his lines. So, after you’d said you’re lying to him, you waited for ages while the woman upstairs told him through an earpiece what to do next, so there was a silence. You heard this in the background and then he’d come at you one hundred miles an hour force of his personality. You’d come in on cue. Then another long gap while upstairs the line was going into his ear. That’s difficult because you can’t suspend disbelief. It becomes a like an acting exercise because normally the response of the of the people helps you to act well, and if you’re not getting it straight back, there’s nothing to believe. So, when he speaks, you can respond to that but by then you’re out of the action for a period while the woman is telling him what to do. But I wouldn’t have missed it for anything. I mean, heavens, having acted with Marlon Brando, hero of my youth.

In fact, it was filmed in Zimbabwe because they wouldn’t allow at the time an anti-apartheid film to be filmed in South Africa. And I had two scenes there, one with Donald Sutherland and one with Brando. After I had done the scene with Sutherland they said, you can’t go home yet because we don’t know if Marlon Brando is coming or not. They said you don’t have to stay in the capital. You can go sightseeing, you can go to Victoria Falls, Lake Kariba and all these fabulous places but phone in every evening and we’ll let you know. So after about 10 days or something, I phoned in and they said, he’s not coming so you’re on the next plane back to London. I came back alone and they mounted his scenes, I think, at Pinewood, if I remember right. He was just in court scenes, so as isolated section of the film, he played an attorney. Then we filmed those couple of months later or something like that just outside London. When I first met him and introduced him, I said, I’m so grateful to you for not coming to Zimbabwe because I had this fabulous holiday at the film company’s expense. Now here I am at Pinewood being paid all over again for the same job. The great Marlon said to me “Glad to be of service”.

You have done a lot in your career but most people will always remember you for your role in Star Wars. How do you feel about this?

That’s part of the course with the acting game. The greatest thing for the actors of my level, basically a supporting actor, occasionally played leading part but mainly a supporting actor. The main thing is to keep working and you balance a part of which you have a lot to do a film or TV series with something where you don’t, or occasionally you do it just because it pays the bills.

I feel no negativity whatsoever about playing a tiny part and the fact that it has been clearly so focal for so many people is a bonus. You know it’s funny and genuinely touching when people get in touch with me and say “I saw this when I was six and I’ve been a fan ever since”. But I had so little to do. You know if you went to make a cup of tea you’d miss me and they say it doesn’t matter and they’ll always remember that moment. That is quite heartwarming. It’s great to hear.

Earlier this year a Star Wars fan film was released which features your character as a kid. It’s a prequel, an origin story where we see how he meets the Rancor. Have you seen it?

I haven’t seen it. I didn’t know is existed.

I was asked at some point, but after I retired, if I would be up in one of these later films for doing another scene. But I’d retired by then and I thought it was pushing it One of the things you have to remember as an actor is to remain reasonably match fit. You know you have to be up for it. The element of tension in front of a camera or on stage that you can still do your best. I felt having already given it up for a few years. Going back to it would probably not be a good idea.

For which movie was that?

I don’t remember. I’m afraid because I wiped it immediately. All I know is I’ve been retired for 10 years and it was during that 10 years. It was just an inquiry it might not even have come up with a job but I think it might have done because they were moving into this other area and they were I think they wanted to have a bit of a prequel for the Rancor keeper. Maybe they did it with somebody else and I haven’t seen that film that’s possible but I didn’t think that they did it.

The short film I was referring to isn’t official. It’s a fan film. Do you keep up with Star Wars? The new movies, TV series?

I haven’t seen anything of the stuff on television but I think I’ve seen all the films at least once but not the newest one. But I will do because my son will make sure that I do.

You have attended conventions, signing photos and other memorabilia. What is your general feeling to signing things and meeting fans?

Well I haven’t done a lot. I did one, for a different organization. I did one years ago maybe twenty years ago or more which had a bit to do with Star Wars, a bit with James Bond and other productions that I’ve been in. I was offered to attend conventions occasionally but I was always working so I never felt I needed to do it. I thought whatever my current project was I was lucky enough to be doing that. That was what I should be concentrating on. Now being quite a long time retired Zack got in touch with me nearly two years ago and suggested doing one in Kentucky. I thought what the hell. I went and did it and it was thoroughly enjoyable and the three days were packed with people. Then I did one for him ten days ago in Telford. So this is really only my third.

Looking back at Return of the Jedi, what are your feelings towards it?

What can I say. From an acting point of view it wasn’t hugely stretching. But, when I look back I think I’m really lucky to have been part of this legend. I feel that particularly because of the reaction of people and the fact that this very tiny bit of the film is remembered by so many people and think of it fondly. I really like that and probably they think about that much more about that than they do about television or films where I’ve had a lot to do.

I saw the movie in 1983, I was seven at the time, and I still remember you!

(Laughs) Extraordinary. Thank you!


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