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Exclusief interview met Nick Kellington (Snook Uccorfay)

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Twee maanden geleden sprak ik acteur Nick Kellington, die in Rogue One de rol van Bistan speelde (dit interview kun je hier lezen). Op het einde vroeg ik hem of ik hem in The Last Jedi weer zou zien waarop hij veelzeggend “who knows” antwoordde. Enkele weken geleden, een paar dagen na de release van The Last Jedi trilde mijn telefoon: ik had een bericht van Nick! Hij had me een foto gestuurd van een van de aliens die we in het casino op Canto Bight zagen met daarbij de mededeling dat dit Snook Uccorfay was, zijn personage in The Last Jedi! Uiteraard kon een tweede interview niet uitblijven… helemaal gericht op zijn The Last Jedi ervaringen!

Interview met Nick Kellington

Hi Nick, two months ago I asked you if you were in The Last Jedi. You couldn’t answer then but you can now! How did you get the specific part of your character Snook Uccorfay?

The year before we filmed The Last Jedi I had played the character of Bistan in Rogue One, so Neal Scanlan, the Special Creature Effects Supervisor, already knew me as a performer and fortunately he asked me back.

Originally I was being considered for another character on Canto Bight, the alien Dowager that is holding Space Gary (the tribute to Carrie Fisher’s dog). The idea was that there would be two performers working inside the Dowager, myself and Paul Warren who also plays Varmik in The Force Awakens. Between us we would puppeteer the Dowager’s left arm, her head and Space Gary.

Plans developed, as they often do, and somewhere along the line I was given the character of Snook Uccorfay instead. The Dowager would be puppeteered by Paul on his own which was a lucky escape for him as sometimes, when I’m working in these suits, I can radiate heat like a furnace.

At my first fitting for Snook, Neal described the character as a mixture of the British actors Terry Thomas and Brian Blessed to give me a starting point to work from. I took that to mean that Snook was a cad, a bounder and a bombastic randy bugger too! From that moment I knew that Snook Uccorfay was going to be a really fun character to play.

What can you tell about the suit?

The original concept for Snook Uccorfay was designed by Jake Lunt Davies. Some people have described Snook as mole-like. When I first saw him I thought he looked like a Space-Hippo.

I believe his hands were taken from the same mold as Unkar Plutt’s hands (Simon Pegg’s character in The Force Awakens) but they were then re-worked and given a different paint job. Upon seeing how short and stubby the fingers are, I made the decision that Snook probably couldn’t keep hold of his money and as we were in a casino he must be a terrible gambler. When performing a creature, I like to study the physical form of the creature suit for clues to imagine that character’s history or life.

Underneath Snook’s beautifully tailored tuxedo I’m wearing a body suit that gives Snook his portly shape. It is fabricated so that it strikes a balance between being light enough to wear and perform in for extended periods of time yet still strong enough to maintain the desired shape through a useful range of movement.

There is a lot of room inside Snook’s head and it’s not that tight fitting to my face, which is good. However this does come with its own drawbacks. Snook’s snout is long with animatronic servos at the end controlling the mouth and each individual nodule surrounding it. This means the headpiece very front heavy and strenuous on your neck. The forward/downward force is counter balanced by a bungee cord that runs from the top of my skullcap to the small of my back so at rest, Snook’s gaze is horizontal.

I see out of Snook’s nostrils that are quite far away from my face. Imagine having a long tube attached to your face and everything is black inside except for two very small holes at the far end of the tube. This limited vision and the audio instructions you receive on an earpiece from your facial puppeteer are pretty much all the information I have to perform and navigate my way around the set.

At this point I must give credit to the team that designed and made Snook Uccorfay. These artists, fabricators and engineers are the unsung heroes that make these creatures look as amazing as they do.

Snook’s designer was Jake Lunt Davies and his sculptor was Louis Wiltshire. The body suit fabricators were Alan Murphy, Caz Gladwin and Fiona Pollard. Hair was by Maria Cork’s Hair Department and his skin was painted by Goran Lundstrom. Giles Hannagan was the animatronics designer/engineer and Snook’s costume was by Michael Kaplan, Samantha Keeble and Gary Page.

So much care and consideration goes in to making these creatures and I am very fortunate to be given the opportunity to bring them to life.

What are the big differences (if there are any) between filming a Star Wars saga film and a Star Wars spin-off movie?

There was very little difference between the experience of filming a saga film and a spin-off movie. It’s all Star Wars, whether the film has an episode number or the words, “A Star Wars Story” in the title. For me, it’s just as exciting, just as fun. You’re still surrounded by cool alien creatures, on amazing sets, creating stories about a galaxy you love. Also, no matter what the title of the film, working in these creature suits is just as claustrophobic and uncomfortable. Ha ha! That never changes.

Maybe it also felt similar because I was working with the same core Creature Effects (CFX) team. It was lovely to see so many familiar faces from Rogue One and I also got to know some of the CFX team from The Force Awakens that I had not met previously, which was cool for me as I am very much a fan of that film.

Actually, when I think about it, there was one big difference on The Last Jedi and that was getting to see Mark Hamill on set. That never happened for me on Rogue One.

We were stood around in a group, waiting for the order to get into costume when Mark Hamill just came up and started chatting to a couple of the puppeteers with us. They had already been working together in Ireland filming some of the Ahch-To sequences. Of course, everyone was very relaxed and professional but there was a small voice inside my head screaming, “HELLO LUKE SKYWALKER! YOU’RE MY HERO!” but that’s normal, right? It would be weirder if my inner-child wasn’t thinking that.

As Luke did not appear in the Canto Bight scenes I think Mark had just come down to see what was going on (although I’ve since read that he did voice one of the casino characters). Later that day I remember him walking around the set on his own whilst we were filming, no entourage or anything, just taking in the creatures, picking up and examining tiny props and seeming genuinely interested in everything. I thought that was very cool of him.

All of your scenes are in the casino on Canto Bight, with a lot of aliens… how did the filming of these scenes go?

There were indeed a lot of aliens on Canto Bight. The CFX team had been asked to create even more characters than what had appeared in Maz Kanata’s castle in The Force Awakens, which they did with incredible results.

In theory, shooting the Canto Bight sequences was the most glamorous filming experience I’d ever had. The decadent casino set could have come straight out of a Bond movie (in fact it was built on the 007 Stage at Pinewood) and we were surrounded by hundreds of immaculately dressed SA’s many of which, both male and female, looked like absolutely stunning fashion models.

However, the reality of performing inside a creature suit on Canto Bight was more like going to a high-class party and accidentally getting locked in a cupboard. You’d get flashes of colour through the keyhole and it sounded like everyone outside was having fun. Meanwhile, you were trapped in the dark and it was slowly getting hotter and hotter.

I did enjoy the experience though. This was, in part, because of working with Snook’s main facial puppeteer Patrick Comerford. He would be operating Snooks facial expressions from a vantage point off camera next to a monitor. I could hear Patrick’s voice through my earpiece and although I couldn’t speak back because there was no microphone in my creature suit, through a combination of hand signals from me and yes/no questions from him we were able to have a very basic dialogue across a busy set.

In some of the shots where I’d be traveling in between gambling tables and up and down steps, Patrick would be telling me when to turn left, turn right or stop to avoid other creature performers who were also on the move and equally as visually impaired as I was. He’d tell me when we were on camera and would perform a character voice for Snook as he remotely puppeteered my face to whisper amorous advances to a beautiful female alien named Derla Pidys whom I was accompanying (played by Latesha Wilson). All the time I would respond to his words with my physical performance.

In between takes we’d find ways of amusing ourselves. Patrick would put on different voices and make up conversations Snook would be having with an SA who just happened to be stood next to me. Sometimes he’d even sing daft songs to make me dance. I would react to him and play along physically, not only because it made us laugh and took my mind off the physical restrictions of the costume, but also I think we were subconsciously developing a shortcut to performance between us. It felt like we were getting to know each other’s rhythms and how the other performed. Patrick could experiment with different facial expressions to try on the next take and I could practice improvising movement instinctively, reacting to whatever Patrick fed me until it felt instant and natural.

On a production where you get very little rehearsal and you never know what you’re going to be asked to do next, whatever exploration time you can get is invaluable. Maybe all the other creature performers and puppeteers also do this in between takes, I don’t know, I’ve never asked, but we found it worked for us.

Filming on Canto Bight was tough at times too. Often we’d get shots quickly but due to some complex camera moves and the sheer number of performers on set, at other times you’d have to do quite a few takes. I remember being in the middle of a crowd scene for about two hours one time with a broken bungee cord. This meant that Snook’s head constantly wanted to drop forward. After two hours my neck was in agony but until we got the all clear from the First AD, my dresser couldn’t come on set to fix it or give me water or blow fresh air in to my costume with a fan. You just had to keep going. That was a long day, but even then, with Patrick, I remember we laughed a lot.

How would you describe the way Rian Johnson directed this movie?

Unfortunately I was not directed by Rian Johnson personally so I cannot answer this from first-hand experience. Although, I did get to watch him work from a far and he seemed not only incredibly thoughtful and engrossed but also really happy on set.

If you’re asking me from a more general perspective about the movie, I think Rian should not only be commended for the story he told but also how he told that story.

May we edge into spoiler-ish territory here? Surely no one will have found their way to this interview without having seen The Last Jedi already. I will try to keep my points vague just in case but if you’ve watched the movie, you’ll know what I’m referring to.

I loved the Rashomon film reference, the re-telling of a specific event depending on a characters perspective in time. It’s quite meta in how it refers to the influence of Akira Kurosawa’s films on the Original Trilogy. It’s brilliant because it works effectively as a plot device within the film and also draws upon the history of cinema and signposts where, in part, this wonderful space opera we enjoy came from. It shows us that Rian’s direction is rich and multi-layered.

Also, at another point towards the end of the film, and I’m sure someone will correct me if I’m wrong, Rian chooses to play with the audience in a way I can’t remember being done before in a Star Wars movie. We are used to being “in on the joke” whenever a Jedi uses their powers but this was the first time I’d ever felt that I, an audience member, had been mind tricked and I loved it! For the more observant there are clues as to what is really going on but I’ll admit, on my first viewing of the film I was totally duped.

These are just a couple of examples of how Rian took what we already know about the Star Wars universe and re-focused our view of how these stories can be told. The Last Jedi is jam packed with surprises, which is no mean feat considering we’ve been following these stories for around 40 years. It gives me hope for the stories yet to be told. In short, I would describe the way Rian Johnson directed this movie as bold and beautiful.

There were two main characters on the casino set; Finn and Rose, and there was also a cameo of well-known actor Justin Theroux as the Master Codebreaker. Did you get to interact with one of them or did you see them perform ‘live’?

When John Boyega first came onto set, I (or Snook) did almost walk into him. I turned to find a brown jacket right in front of Snook’s nostrils. I looked up and there was Finn. He’s taller than I imagined (or maybe I’m just shorter than I think). I was quite surprised because I wasn’t expecting to see him so all I did was give him a little wave. Yeah, ice cool, I know.

In the film, when Finn and Rose enter the casino Snook is gambling on the table directly behind them. I couldn’t see what they were doing as I was trying to wrangle my props and interact with the characters next to me but later on I did get to watch John Boyega and Kelly Marie Tran perform live. They looked like they were having a whale of a time. They had such great chemistry on set.

I didn’t see Justin Theroux but I did have one other encounter I’d like to share. I was told this later by CFX stalwarts Tim Rose and Phill Woodfine. I was in Snook at the time and so couldn’t see what was going on around me.

Phill was puppeteering my/Snook’s face and we were working with another creature Pemmin Brunce, the casino’s bouncer. Pemmin was being played by the actor Cavin Cornwall and being puppeteered by Mark Jefferis. Although we were deep in the crowd, between the four of us we had quickly devised a sequence where a slightly drunken Snook had offended Pemmin who then proceeded to man handle Snook towards the exit.

Cavin was totally blind in his suit but with audio guidance from our puppeteers, we made it look as if Pemmin was carrying Snook by the scruff of his neck across the casino with Snook’s little legs thrashing around underneath him. Apparently it looked very funny. Now Anthony Daniels was also on set that day, not in costume but working instead as a movement consultant for the many Protocol Droid performers in the casino. Tim Rose, who was puppeteering next to Phill called Anthony Daniels over to watch what we were all doing for a while.

“That’s fantastic!” said Anthony Daniels, “Does the director know you’re doing this? I must let him know.” And off he went.

I don’t know if word did get to Rian Johnson and obviously our improvised scene didn’t make it into the film but that doesn’t matter to me. For that brief period, I was in a creature suit, on a Star Wars film set, entertaining C-3PO who, through the Original Trilogy, had partly inspired me into becoming a creature performer and eventually working in Star Wars myself. There’s something cyclical about that and it makes me smile.

The Last Jedi is without a doubt the most talked about Star Wars movie ever. While a lot of fans love it… there are also negative reactions to the story, more then there have ever been, especially online. What is your own opinion about the movie?

I loved The Last Jedi. It sounds corny but I was thrilled, I was moved and I was entertained. It makes me happy to watch it and I am proud to have been part of making it.

The risks Rian Johnson took worked for me but I can understand that they might not have worked for everyone and that’s ok too.

It has been pointed out that The Empire Strikes Back also received a lot of criticism when it was first released and look at how beloved that movie is now. I think it will be really interesting to see how The Last Jedi is regarded in, say, five years time perhaps, once the dust has settled.

One comment that has stuck with me as a result of all the heated debates about The Last Jedi is from stand-up comedian and Star Wars podcaster Steele Saunders. He tweeted,

“Love a Star Wars film like a child. Hate a Star Wars film like an adult.”

I like that because I think the sentiment goes way beyond Star Wars.

You did an interview for the website last year… now you’re doing it again because you were in The Last Jedi… will you do it again later this year when Solo: A Star Wars Story is released AND in 2020 after Episode IX? I think you know what I mean with this…

If I’m lucky enough to appear in another Star Wars film, I’d love to do another interview. My wife’s eyes start to glaze over if I talk about Star Wars for more than five hours at a time so I have to get my geekiness out somehow!


Meer unieke interviews vind je op: Star Wars Interviews – ‘Mem-Wars’ from a galaxy far, far away…

Star Wars Interviews

Geboren toen de opnames van A New Hope van start gingen. George Lucas cultist en aanhanger van Legends (1976-2012). Voormalig assistent van Anthony Daniels. Vader van 2 Padawans. Auteur van de 'Star Wars Interviews' boekenreeks waarvoor hij 175+ cast en crewleden interviewde. Staat in de credits van de boeken The Making of Return of the Jedi, Stormtroopers: Beyond the Armor, The Star Wars Historical Sourcebook, The Star Wars Archives en Star Wars Icons: Han Solo.

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Interviews

Exclusief interview met Kristine Kathryn Rusch

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Het is alweer 22 jaar geleden dat The New Rebellion, een Star Wars boek van de Amerikaanse schrijfster Kristine Kathryn Rusch, verscheen. Gedurende haar lange carrière schreef ze ook voor franchises als Star Trek en Alien én won ze een HUGO Award.

Onlangs sprak ik haar over haar bijdrage aan de ‘Expanded Universe’ en had ze een boeiende onthulling over een geannuleerd Star Wars project…

Interview met Kristine Kathryn Rusch

When and where was your first encounter with Star Wars? And what did you think of it?

I saw Star Wars: A New Hope the night it premiered. I was in high school, and a group of us went to the movies, with no idea what we were going to see. I was hooked from that moment forward.

What was your inspiration while writing The New Rebellion, and what directions did you get from Lucasfilm? How did you come up with the story for The New Rebellion?

I wasn’t all that fond of the way that the previous books had gone. I hated what the male writers had done to Leia (making her a wife and mommy instead of the strong woman that she was), and so I just went back to the first three films, which I really, really loved. I worked as well as I could within the framework of the previous novels, ignoring as much of them as possible, and restoring as much of what I loved about Star Wars as possible. Lucasfilm was very supportive. They gave me pages of detailed notes when I was done, but those were mostly terminology nits, not actual changes.

Which existing Star Wars character you enjoyed the most writing about?

Han Solo. He is, by far, my favorite.

Could you explain why?

Han? The ultimate bad boy with a heart of gold? The true hero of the piece? The one who actually rescues people? Has a sense of humor? Fights despite his cynicism, even though he has no dog in the hunt? That Han? Yep. That’s why I like him.

Which Star Wars character created by you is your favorite?

I never have a favorite among characters I create.

 Although you did get to write a Star Wars trivia book, The New Rebellion was unfortunately your only Star Wars novel. What was the reason for this?

The Science Fiction Writers of America -which I did not belong to- went to war with Lucasfilm over royalties. I strongly disagreed with SFWA and told them so. I was working hand-in-glove with Lucasfilm on a bible for the books…when SFWA sent Lucasfilm a cease-and-desist letter over their royalties and- without my permission -signed my name to it. They signed a number of Star Wars writers’ names to the petition, without permission. Lucasfilm did not believe me when I told them I wasn’t involved (I don’t blame them). I really should have sued SFWA. They cost me over $100,000 with that action. And they cost me the chance to work in a series I loved.

You just referred to a ‘bible for the books’ you were working on. What kind of book was that? Something like 2012’s Essential Readers Companion; a book with descriptions of every Star Wars story?

In TV, in particular, and in film sometimes, the people who produce the show develop a “bible” which allows anyone who writes to know what’s going to happen next. Kevin J. Anderson and I were putting together a large bible for the series of books along with Lucasfilm to determine what direction the books would take over the next several years. It’s more complicated than what you’ve described, and would have taken us a great deal of work by the time we finished. We had just held the preliminary meetings when SFWA nuked everything.

In 2014, Disney declared the Expanded Universe was no longer canon. It became ‘Legends’. What do you think of this, seeing all of your work suddenly become non-canon?

It doesn’t bother me at all. I did work-for-hire, so the owners of the property can do whatever they want with it. I knew that when I signed on.

You have written books for other Sci-Fi franchises like Alien, Quantum Leap and Star Trek. In which ways was writing for these franchises different? And what is it –according to you- that makes Star Wars so unique?

The smaller franchises (Alien, Quantum Leap) really didn’t get involved in the books. We could have written anything, and no one would have cared. Star Trek and Paramount are very involved, and the same with Lucasfilm back in the day. I prefer that. I liked being part of the organization.

Final question: How do you look back at your Star Wars work?

I think I was lucky to have the chance to play in that universe. My 16-year-old self would be very proud.


Meer unieke interviews vind je op: Star Wars Interviews – ‘Mem-Wars’ from a galaxy far, far away…

Star Wars Interviews

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Interviews

Exclusief interview met Rusty Goffe (Kabe, GONK droid, Jawa)

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De Britse acteur Rusty Goffe speelde maar liefst drie rollen in de allereerste Star Wars film uit 1977. Hij was op Tatooine te zien als Jawa, GONK en de aan juri-juice verslaafde Chadra-Fan genaamd Kabe!

Onlangs was Rusty in Nederland aanwezig bij een speciale Harry Potter-dag (een andere franchise waarin hij te zien was) in de Lemistore te Almere. Na afloop sprak Dennis hem over zijn Star Wars ervaringen!

Interview met Rusty Goffe

How did you get cast for the first Star Wars movie?

Way back in the 70’s there weren’t many dwarf actors. You had Kenny Baker who played R2-D2 and his partner Jack Purvis who was the chief Jawa and there was me! They tried me out for R2-D2 in case Kenny couldn’t cope inside the droid. Luckily he was alright so they cast me as a Jawa and it followed on from there.

One day I went into the studio and the special effects guy said “bend over and touch your toes”, which I did and they put some suit over me. They called George Lucas and said “George, how is this for a character?” George said “I love it, and we will call that a GONK”. So, that’s how the GONK droid happened.

The third character I played was Kabe in the Mos Eisley cantina. She was originally played by an elderly lady called Gilda. The costume was absolutely horrendous like every other costume was and she collapsed and fainted. She couldn’t continue so George Lucas said “Rusty, get in the dress”. That was it! I played three characters!

You mentioned the GONK. The most famous scene of him is in the sandcrawler making the legendary GONK noise. That’s you!

Yeah, that’s me! And then you’ll see a Jawa, that’s Jack Purvis. Right after that you see the GONK again with a Jawa, but this time Jack is the GONK and I am the Jawa, we switched roles and it was hysterical.

Were you in Tunisia to film Jawa scenes?

No, I was only filming at the Elstree Studios.

So, all your Jawa scenes are the interior shots.

Yes, and also in the cantina when Luke comes down the stairs with Obi-Wan you see a Jawa rushing around them that is me as well!

What was the funniest thing that happened on the set?

That was when Sir Alec Guinness was coming with Luke in the cantina. George Lucas instructed me to rush towards them and just pass them quickly on their left. Before it was ‘action’ the first assistant director said “pass Sir Alec on the right”. That was the last direction I got, but no one told Sir Alec that, so I nearly knocked him over. He thought I was going left but I went right. I said “sorry” and then George Lucas said “what the hell are you doing, you should have gone left” but luckily the assistant director said he told me to. So, I was exonerated. So in short: the funniest thing was I nearly killed the star of the show. (laughs)

(Laughs)

Without a lightsaber.

What do you regard as the best memory you have of your time working on Star Wars?

No one knew what we were doing. It was fantastic to film everything and I would do it all over again if I could go back. George Lucas and Gary Kurtz were like two young college guys making a movie with all these lovely actors. We didn’t know how big it was going to be. It went from a cheap budget film to 48 billion dollars later!

When did you see Star Wars for the first time?

That was two months after it opened. I sat in the cinema and loved it when those spaceships came from behind us. I was “wow, this is it”. The clever bit was, which I didn’t realize then, the way John Williams wrote the Star Wars theme. The first note of the Star Wars theme is the same as the last note of the 20th Century Fox theme. (Starts humming the Fox theme) So, the brain didn’t have to think. It flows if you know what I mean.

Now that’s some cool trivia.

Everyone at the cinema was happy. It had spaceships, swashbuckling pirates, swordfights. It’s what the world needed. Well done George Lucas.

You didn’t return in The Empire Strikes Back. How come?

Because I was doing other movies at the time like History of the World Part I with Mel Brooks, a movie I wanted to do. It was fantastic with those guys. I can proudly say I was in the first Star Wars, the baby of the franchise.

One of your characters, Kabe, got her name and backstory in the late 80’s and mid 90’s. Have you ever read her short story in the anthology book Tales of the Mos Eisley cantina?

No, I haven’t. I wasn’t aware of that.

Well, I can absolutely recommend it as it’s a great story.

I will definitely look for that! As I said that costume was so hot. You couldn’t breathe in it and it was so claustrophobic. It wasn’t something for every person. Still, it was an unbelievable time.

You were in your twenties back then right?

I was very young, yes. I’m still young now. (laughs)

(Laughs). That’s a great way to end this interview. Thanks!

Met dank aan Casper en Lemistore voor het mogelijk maken van dit interview!


Meer unieke interviews vind je op: Star Wars Interviews – ‘Mem-Wars’ from a galaxy far, far away…

Star Wars Interviews

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Interviews

Exclusief interview met Daniel Keys Moran

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Medio jaren 90 was het de Amerikaanse auteur Daniel Keys Moran die Boba Fett ‘nieuw leven gaf’. Voor de korte verhalen bundels Tales from the Bounty Hunters en Tales from Jabba’s Palace schreef hij hoe Fett aan de Sarlacc ontsnapte en zijn loopbaan als premiejager vervolgde terwijl hij ook met een verhaal aan Tales from the Mos Eisley Cantina bij heeft gedragen.

Daar het gonst van de geruchten over een Boba Fett film was het dus hoog tijd om hem te interviewen voor deze site!

Interview met Daniel Keys Moran

I’d like to start at the very beginning: what got you into writing and how did your career take off?

I can’t remember ever not wanting to be writer. Wrote my first novel at 8 “Third Degree Magic,” the main two characters were me and my friend Steve. The bad guy was named “Diablo.”

Sent my first story off to a magazine at 13, “A Day in the Life of a Telephone Pole.” Wrote my first real novel at 15, an alien invasion western novel. Finally sold a story to Isaac Asimov’s Science Fiction Magazine, at 18. Few years after that sold my first novel to Amy Stout at Bantam Doubleday, we’re now married and have five children together.

When and where was your first encounter with Star Wars? And what did you think of it?

My high school debate team won a pretty big debate and as a reward we were offered the chance to do several different things one of them was going to see this obscure movie called Star Wars at the Chinese Theater on opening day. I don’t think we were at the first showing I vaguely recall getting back to the school pretty late in the day but maybe the second or third showing. Pretty good chance David Gerrold (the writer of “Star Trek: The Trouble with Tribbles,” Chtorr, “The Man Who Folded Himself”) who later got to be a great friend, was in the theater with me when we watched it. He was also there for an early showing, that first day.

I was blown away. It was the first SF movie that managed onscreen the sorts of things I saw in my head when I read Edgar Rice Burroughs.

You wrote two short stories about Fett (called A Barve Like That and The Last One Standing), creating a lot of background for the character, who was especially back then a huge fan favorite. How did you approach this massive task?

It wasn’t a massive task. It was a short story and a novella, and while I put a lot of skull sweat into them, most of what I’ve ever written’s been a heavier lift. They were fun to write, aside from dealing with Lucasfilm. I put a pseudonym on “A Barve Like That” because I was cranky with Lucasfilm; they were mad about that. So it was a surprise to me when they had me write “The Last One Standing” I was pretty blunt by that point, having done two stories already and scratched the itch to work professionally on Star Wars. Wrote them an outline, told them they could have it or not have it but I was writing what was in the outline, and they said yes. So that was a surprise. Then they tried to excise what was probably my favorite scene in that story; Kevin J. Anderson stopped them, and I’m grateful for that. It was published as written, minus a few word changes here or there.

It’s one of my favorite stories. It came from Harrison Ford’s desire to see Han Solo die in Return of the Jedi “he’s got no Mama, he’s got no Papa, he’s got no story.” So I took that and ran with it. I did the first “Old Han” story as well as the first real Boba Fett story, taking them into the future and dealing with the loss of their youth.

You also wrote the tale of Kardue’sai’Malloc, the devaronian seen in the Cantina. What was your inspiration to write his story?

That was a pure “I want to write Star Wars” thing. Kathy Tyers had written an excellent story about the Modal Nodes, the band that plays during the Cantina scene I wrote a story that surrounded hers, about Kardue/Labria, who always seemed to me to be having an awfully great time in the bar that day. Turned him into a music collector who worshipped the Modal Nodes, and had a fun story about how he arranged to have them playing at the bar that day.

One of your Boba Fett stories and the Devaronian’s tale were heavily edited. In fact, the Fett story was published under your pseudonym JD Montgomery. What was exactly edited, and what was the reason?

Devaronian’s Tale wasn’t edited that much. Mostly they wouldn’t let me swear, or mention whores. I wasn’t thrilled with the changes, but they were minor.

I don’t know what happened with “A Barve Like That.” I agreed to do it, then they told me I couldn’t really write my outline, where Fett spent years down in the Sarlacc; he could only be down there for a day or two. So I wrote that story. Then they told me the Sarlacc couldn’t be intelligent, which was the actual center of the weakened story, so I took all the Sarlacc’s contribution to the story and gave it to one of Fett’s fellow prisoners “Susejo,” or O Jesus backwards. I’ve had people write me telling me they loved that story, and OK, but man, it was only a shadow of what it should have been. In its final form Fett falls into the Sarlacc, argues with a fellow prisoner, and climbs back out again. Eh.

How did you react to the news your stories were edited and why did you choose to have one being published under a pseudonym?

I behaved with forthright and reasonable bluntness. Later on I met one of the ladies who worked at Lucasfilm, and upon hearing my name, she took two steps backwards. So maybe my perception isn’t the whole of the story.

I always thought that back in the 90’s Lucasfilm didn’t want authors to write about the pre-A New Hope era because they were making the prequel trilogy. However, they let you write about Boba Fett in his younger days. Do you know why they approved that?

No idea.

A couple of years after your Fett stories the movie Attack of the Clones showed the origins of Fett, contradicting your stories. How did you feel about this and which version do you prefer?

I prefer mine, of course. But it didn’t particularly annoy me. I don’t care much about canon, and my stories are still out there for anyone who wants to read them. And frankly, even within the universe of commercial fiction, Lucas was utterly contemptuous of his own early writing, when it came time to make the prequels. The idea that I should get annoyed about him ignoring mine? No.

In your stories Fett’s real name was Jaster Mereel, something which was later retconned and Jaster became another Mandalorian. Did you know about these retcons and do you like them?

I haven’t followed along with anything except the televised & movie material. Shout out to Star Wars Rebels, there that was a fine piece of work. Watched it with my youngest boy, start to finish.

There are rumors about a Fett spinoff. Any advice for Lucasfilm? You’re the expert!

I’ve had a guy at Disney email me a couple times over the years regarding Lucasfilm adapting “Last One Standing” into a Fett movie. Not asking permission, they own those works, just letting me know they were thinking about it. So that was kind. But after Solo stiffed, apparently there’s some question about the Fett movie being made.

As to advice for Disney? I thought The Last Jedi was brilliant, the first Star Wars movie since The Empire Strikes Back I thought was a complete success on its own terms. Then I thought Solo was perfectly adequate and inoffensive, and as much as I love Star Wars, that’s a little sad. So for advice? Get the creative team behind The Last Jedi on your Fett movie, rather than the team behind Solo.


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Exclusief interview met Rick Stanley (Cutthroat hunter)

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In de herfst van 2017 kreeg ik een bericht uit Engeland: Rick Stanley, een Amerikaanse Star Wars vriend van me die daar woont wist te melden dat het hem gelukt was: hij was gecast voor de rol van Cutthroat Hunter in Solo: A Star Wars Story. Ik ken Rick al jaren, hij heeft me als oprichter van Sci-Fi Signers vaak geholpen en nog voordat ik het kon vragen gaf hij aan graag zijn verhaal te willen vertellen.

In onderstaand interview doet hij zijn Star Wars verhaal uit de doeken: van trouwen met een Britse actrice uit The Empire Strikes Back tot een site voor Star Wars acteurs opzetten tot zelf gecast worden voor Solo!

Interview met Rick Stanley

I’ve known you for many years and you’ve helped me with a lot of interviews so this is weird and fantastic at the same time! You’re in a Star Wars movie! How does that feel?

It’s been a real pleasure Dennis knowing you all this time and it’s been an honor helping you out! You have done an excellent job with Star Wars Interviews over the years with all the many fascinating interviews you have conducted! It is strange because I never thought I would work on a Star Wars film and have the great honor of being interviewed by you! To say I was over the moon and floating on air when I found out that I was booked for one is a vast understatement! It’s unbelievable how hard it is to get on anything with the Star Wars name and I consider myself very, very fortunate!

When and where did you see a Star Wars movie for the first time and did you become a fan right at that moment?

Well that’s kind of a long story. I was almost 20 years old when A New Hope came out and actually didn’t see it until it was broadcast on HBO. In 1977 being the age that I was all I could think about were all the B science fiction films that were in abundance as I was growing up! I know it sounds sacrileges to say but I even thought the name ‘Star Wars‘ when I first heard of it sounded cheesy! All I could think of was pie plates on fishing lines. Even all the hype and hoopla didn’t influence me and there was plenty of it at that time! I’m from Orlando, Florida and what turned me around was in 1980 I went to work temporarily down in West Palm Beach for a company that an uncle of mine was vice president of. I only worked the week days and the company would offer to fly me back home or reimburse me for my petrol if I wanted to drive. Well one weekend I didn’t want to spend the time going back home so I just hung out and saw that The Empire Strikes Back was playing at the theatres. I went to see it to find out what all the fuss was about and was completely wowed by it and have been an avid fan ever since! I to this day still regret not seeing A New Hope when it was fresh in the theatres!

Your wife (Stephanie English) was in The Empire Strikes Back 38 years ago. What took you so long to get cast for a Star Wars movie? Seriously: how did you manage it?

Yes, it’s hard to believe that I saw my future wife Stephanie English in that movie theatre so many years ago in West Palm Beach! She portrayed a Hoth Rebel Technician at Echo Base. She has been working in the film business for 42 years. We just celebrated our 7th wedding anniversary actually on the other Star Wars day May 25th. We didn’t plan to have it on that day which was amazing it happened that way! Stephanie got me into film work shortly after we got married and I moved to London. The way it happened is Stephanie got an email from one of her agencies that she is with asking if she knew anybody who had an American vehicle. She responded saying her husband ‘me’ had a pickup truck. I brought my Ford Ranger pickup truck with me when I moved to London. I ended driving it in the Ridley Scott film The Counselor and that was my first film work gig. Since then I have worked on quite a few productions, mainly background but some featured and the one that I’m really proud of is a National Geographic movie documentary called The Jesus Mysteries where I played a main cast part as the apostle James the Elder alongside Nick Simmons who portrayed Jesus. Nick is the son of the founder and bass guitarist of the rock group KISS Gene Simmons. With getting on a Star Wars film or any film for that matter it’s really luck of the draw but I think it’s even harder because of the popularity of Star Wars and the same with films like the Harry Potter prequels. It’s mainly about your looks and what they are looking for to fill a role at the time. I was put up for Rogue One which I would have loved to have got on but to no avail! Now with Solo I was put up for it 4 times and the fourth time was the charm! I was very happy when I heard that I was going to be included into that “hive of scum and villainy”!

You run a great website called Sci-Fi Signers United where convention organizers can book actors from Star Wars and many other franchises. For the people who don’t know this site: what was the reason you started it?

Thank you for those kind words! Well actually a mutual acquaintance of mine and my wife started what was called the Sci-Fi Convention Signers Co-Operative and I helped run it with him until he decided to disband it. After that I started the Sci-Fi Signers United from scratch and kept the same spirit there! It’s a site where organizers can contact the actors and film professionals directly for shows and autographs without having to go through an agent. I don’t make any money from it. I offer it as a free service for the signers to help them out. A lot of them that are on it are mutual friends that Stephanie has worked with over the years and some of the new ones are friends I have worked with on other productions.

Since you’re Star Wars character now I was wondering if you’re about to enter the signing/convention circuit yourself now?

No, it just wouldn’t be my cup of tea to do it. I really enjoyed going around the country with Stephanie when she was signing at shows but she is retired from doing them now and it wouldn’t interest me at all to do it myself. I will consign it to good memories of fun times! We both want to concentrate on the film work and I’m content just keeping the Sci-Fi Signers United running!

Back to Solo: please tell everything about the character you played and in which scenes you were in.

To start off when I went for my fitting I asked what my character was called and was supposed to be and the wardrobe guy said I was playing a reprobate a ‘cutthroat hunter’. I said well that sounds pretty cool! I was wearing a dark beret, a blueish grey long sleeved shirt, a dark suede coat that came down below my knees and it was left open with a wide belt wrapped around it with a large rectangle silver belt buckle and I had a leather ammo pouch attached to the belt. My trousers were baggy and black almost like cossack trousers. I also wore tall brown boots with greyish colored boot guards wrapped around them. To top it off I had an orange neck scarf that the wardrobe lady would make a point tying it in a French knot. She called me her little Frenchman every time I would go to change in to costume! From the day I got fitted to my last day on it I got French resistance comments and even one of the costume designers was amused by it when we were lined up my first day on set for a costume check! I also got a lot of Che Guevera comments because I guess I kind of looked like him with the beard and beret. I had a prosthetic scar on the left side of my face. It was a really cool getup! I was there for the Sabacc table scenes, the droid arena scenes and several bar area scenes! It was a really big and amazing set and spent I would say about 80% of my time on set. Some films you can spend hours in the green room or holding area before you are called to set but that wasn’t my experience on this one. I felt lucky when I was able to get outside to have a cigarette break I was on it a week and did 12/13 hour days each day. I was exhausted but man it was worth it! Also one of the days I was there they took me to a different part of the studio and did a 3-D scan on me in costume and also I did an action photo shoot doing various poses.

You were on the set with most of the main actors like Alden Ehrenreich and Donald Glover. How were all those stars on the set and behind the scenes?

All of them were absolutely awesome and what an honor it was for me to be amongst them with the many others who were there with me also! Man I’m still pinching myself to make sure it wasn’t all a dream! They all nailed their parts brilliantly and it was an honor to be able to witness that first hand and be a part of it all!

Could you share some good anecdotes regarding your time working on Solo? The more the better of course!

Well let’s see… there was one time when we were waiting for them to set up another shot on a different part of the set I decided to rest my weary legs after standing up most of the day and took a seat on Han’s sabacc table stool except I was sitting backwards to the table with both my elbows propped on the table with my legs stretched out and crossed in front of me. The only others that were sitting in that part of the room with me at the time were Therm Scissorpunch and his alien buddies! Another time I was waiting again for them to set up a shot and I was sitting on the stairs facing the bar area and the girl taking care of Joonas Suotamo stood directly in front me and had his Chewbacca mask in her hands but she was holding it behind her talking to somebody in front of her. She backed up a little too close to me and it started brushing me in the face so I had to move and find a different spot! My wife Stephanie dropped me off at Pinewood Studios each day in the morning and picked me up when we wrapped for the day and I would always sit at a bench next to the security office waiting for her to roll up in the car. The second day I was really tired because I hadn’t had much sleep the night before and also the night before that. I just wanted to get home, take a shower, get something to eat, go to bed and start it all over the next day! I completely forgot to have hair and makeup remove my scar after I derigged. When I sat down on the bench waiting for Stephanie a young woman was sitting on the bench also. After a while she looked at me and asked me if I was a stunt man. I said no why? Then she said how did you get that scar? At that moment I realized that I forgot to have it removed. I told her I was working on a film and it wasn’t real. She then asked me what film I was working on and I told her I couldn’t say! I thought that was pretty funny!

You joined Solo after Phil Lord and Chris Miller were replaced by Ron Howard, a real veteran director. How was he to work with and how does he distinguish himself from other directors?

Wow!!! What an honor it was to be directed by the legend who is Ron Howard! I would call him a director’s director! It was a pleasure to see him work and do his magic! He is a very hands-on director and knows exactly what he wants! He is also the first Oscar winning director to direct a Star Wars film! I grew up watching him on the Andy Griffith show and when I was a teenager watching him on Happy Days and the George Lucas masterpiece film which is American Graffiti!

What are the chances we will see a Rick Stanley action figure in the future?

Hahaha!!! Well they do have the scans and photos so they have the tools to make it possible! A person can only hope!!!


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