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Exclusief interview met Mason Ball (Praster Ommlen)

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De achtergronden (en interesses) van Star Wars acteurs zijn soms wonderbaarlijk. Neem nu Mason Ball, die in The Force Awakens de rol van Praster Ommlen speelde. In het Verenigd Koninkrijk host hij onder de artiestennaam Benjamin Louche een cabaretshow (en dan ook nog eens een met als thema de cult TV serie Twin Peaks) en net als ondergetekende is hij een groot fan van David Bowie. Dit moet wel mooie verhalen opleveren…toch? Speciaal voor StarWarsAwakens kon ik hem diverse vragen stellen dus lees snel verder en oordeel zelf!

Interview met Mason Ball

Let’s start at the very beginning: You’re originally a cabaret and burlesque host (as Benjamin Louche). I am very curious how you got cast for a Star Wars movie since this seems lightyears away from each other.

In actual fact I was an actor (of sorts) long before I did cabaret. I studied mime and physical theatre at The Mime Centre, London, which lead to ‘skin work’, appearing first in The Mummy, then The Mummy Returns, and then The Hitchhiker’s Guide To The Galaxy. It was on Hitchhiker’s that I met Brian Herring, who years later became puppeteer consultant for The Force Awakens and of course principle BB-8 performer. We’d remained friends and so when The Force Awakens came along, he suggested me for it.

In The Force Awakens you’re in the same scenes as the legendary Harrison Ford. A dream coming true? Or just a job?

Dream job definitely. One of my fondest memories from the shoot was waiting offset with my creature head on, and listening through my earpiece to what they were shooting; hearing Harrison Ford’s voice delivering lines really brought it home to me that I was in an actual Star Wars film. It was one of those WTF moments. I was 6 years old when A New Hope came out and it changed my life; I had Star Wars curtains, Star Wars bedspread, t-shirts, figures, you name it; for both A New Hope and The Empire Strikes Back, myself and my sister won tickets to our local premier, where actors were walking about the cinema dressed as storm troopers and Darth Vader. So when I heard Han Solo’s voice, well, let’s just say it’s not something I’ll forget in a hurry.

Are there funny or remarkable stories can you share regarding your time on the set of Star Wars?

One of the problems (difficulties?) with my costume was that, with the head on I was effectively blind, and so missed a great deal of what happened on set, having to rely only on what I could hear through my earpiece.

Something that sticks in my mind though is a moment when I was sitting with my head off in between takes and had done a good job on convincing myself that, yes it was cool that I was in Star Wars, but it was just a job, I was being very level headed about the whole thing; then I saw Chewbacca, which was fine, no problem. But then I saw Chewbacca’s bowcaster and for some reason that did it, it was as if I could reach back through time to the young me and whisper “You’re in Star Wars” and completely involuntarily I made a noise, a kind of excited high-pitched whine. Thankfully I think no one heard me.

In another shot they tried having all the creatures that could walk, move about the set, in and out of each other, busily to and fro. Now, not only was I blind as a bat, my creature head was incredibly heavy, my arms hidden inside it (so that if I fell I would have nothing to break my fall) and I was wearing eight inch platform boots under my robes. The entire shot was achieved (and they only tried it once) by me having creature choreographer Paul Kasey’s calming voice in my head telling me when to slow down, when to stop, turn etc.

What can you tell about JJ Abrams and the way he directed you?

Again, I saw very little of him, but he certainly runs a very relaxed yet focussed set; in my experience this is not always the case. He did speak directly to me once though; he said “can you see anything at all?” I said: “nope, not a thing.” That was it!

What is the best or most precious memory you have regarding The Force Awakens?

Hearing Han Solo’s voice has got to be up there, but other than that? The whole experience was incredible. Working with Neil Scanlon’s amazing creature crew in particular was a dream come true, in particular senior animatronic designer (who acted as my dresser) Tahra Zafar, who put up with all my griping, took off my head and gave me water when I needed it. You would not believe the insane amount of detail that the creature department put into every single creature that appeared, whether they were foreground or background, the attention to detail was dizzying. They are all staggeringly talented.

Oh, and Daisy Ridley spoke to me once. She said “can you see anything at all?” I said: “nope, not a thing.” That was it. You tend to hear the same questions when you’re in an 8ish foot Ottegan suit.

Mason Ball als Benjamin Louche in de ‘Double R club’

Your character, Praster Ommlen, got (like every other Star Wars character) a name and complete background. When and how did you find out about his backstory and what do you think about the fact that your character got this kind of attention?

I only heard his backstory after the film had been released and I read it in The Visual Dictionary. From day one everyone just referred to him as ‘Hammerhead Priest’, which was exciting for me because it was something of a link to the Hammerhead in A New Hope (even though he turned out to be an Ottegan rather than an Ithorian).

We have the same heroes: David Bowie (I’m a lifelong fan since the early 80’s) and David Lynch (Twin Peaks is the best series ever). What is it about these two men that inspires you?

Bowie for me was the beginning of a lifelong obsession with music. Discovering him changed everything. I can safely say that there is no other single figure in the arts that has had such a huge effect on my life. I’ve no idea who or what I would be doing without him but I wouldn’t be me, not the me I am, chiefly because it wouldn’t have been communicated to me in quite the same way that it was ok to be so. I wouldn’t have heard the things I heard, wouldn’t have dressed the way I’ve dressed, made the friends I made, wouldn’t have read the things I’ve read, or for that matter written the things I’ve written. I wrote a blog entry when Bowie died that says it better.

Every year the charity that I’m a trustee of Cabaret vs Cancer stages a Bowie tribute night Ashes To Ashes, which I host, from which all proceeds go to cancer charities; the next of these is on March 1st 2017.

David Lynch was the first film director that could truly put on screen the sensation of a bad dream, and because I was plagued by these my entire childhood, this was instantly attractive to me. Twin Peaks lead me on to Blue Velvet, then The Elephant Man, then Eraserhead and so on. We started The Double R Club in 2009 as a way of staging cabaret that was a little darker, stranger and less… expected, and all these years, countless shows and several awards later we’re still going. We describe ourselves as “cabaret inspired directly, or indirectly, by the dark and beautiful worlds of David Lynch.” One of the greatest things that’s happened through The Double R is that we’ve put on shows at the Twin Peaks UK Festival and therefore met several cast members; a highlight was meeting the late Catherine Coulson, The Log Lady, who took one of our flyers back to the states to show Lynch himself. Also, interviewing Sheryl Lee was wonderful. Everything was going smoothly then I said something and she gave me that Laura Palmer smile and it kinda blew my mind.

Since you know a lot about cabaret…suppose you could produce a Star Wars cabaret show. How would that look like?

There actually is, or was, a Star Wars cabaret, though I was never able to go as I was always working. It was called May The Farce Be With You.

But if I were staging a Star Wars cabaret? I think my first decision would be to set it among the “wretched hive of scum and villainy” that is the Mos Eisley Cantina.

How do you look back on the whole Star Wars experience? And will that experience continue in Episode VIII: The Last Jedi?

It was undoubtedly a highlight of my non-cabaret career. As far as Episode VIII goes, well, as you might imagine, all those taking part in such a film would have to sign non-disclosure agreements, so, ahem…

What are you currently doing? Can you tell something about your new/upcoming projects?

On the third Thursday of the month at Bethnal Green Working Men’s Club, London, The Double R Club walks, in dreams, with you…

I spend most of my time rehearsing for cabaret shows and writing. I write short stories, odd / ‘amusing’ poems and novels. I currently have a novel crowdfunding on Unbound.com called The Dutch Wives.

Later this year (before season 3!) I have a book of Twin Peaks themed poems and oddities coming out called Postcards From Twin Peaks.

Thanks for the interview!


Meer unieke interviews vind je op: Star Wars Interviews – ‘Mem-Wars’ from a galaxy far, far away…

Star Wars Interviews

Geboren toen de opnames van A New Hope van start gingen. Voormalig assistent van Anthony Daniels. Auteur van de 'Star Wars Interviews' boekenreeks waarvoor hij 180+ cast en crewleden interviewde. Trots op zijn vermeldingen in de credits van de boeken The Making of Return of the Jedi, Stormtroopers: Beyond the Armor, The Star Wars Historical Sourcebook, The Star Wars Archives en Star Wars Icons: Han Solo.

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Interviews

Exclusief interview met Nick Stanner (Stunt performer – The Mandalorian)

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Wat zou Star Wars zijn zonder goede stuntlui? Iemand moet de stormtrooper zijn die door een vlammenwerper in rook opgaat of van een rots af valt!

In The Mandalorian ging stuntman Nick Stanner meer dan 30 keer ‘dood’ en was hij als diverse personages te zien. Van Mandalorian tot stormtrooper! Onlangs interviewde ik hem voor StarWarsInterviews.com en zoals altijd is het ook hier te lezen!


How did your journey in movies start? How and why did you become a stuntman?

Growing up in Omaha, Nebraska I was not around film at all. I grew up competing in Gymnastics for my parents’ club all the way through college. I was always flipping off something and in eighth grade I remember watching a movie, not sure which one, but I mentioned I wanted to “do that” as I pointed at the screen. My mom asked if I wanted to be an actor, and I said, “No, I wanna do the cool stuff!” Mom said Oh a stuntman?! I said yeah, and went back to being an eighth grader. Fast forward to after college, I was looking for a new apartment in Lincoln Nebraska where I went to collegians was telling my mom and she said, “I thought you said you wanted to go be a stuntman! When are you going to do that?” The second I heard my mom say that and I knew she supported me no matter where I was, I decided to leave. I headed to Florida to get involved with the live stunt shows at the theme parks like Indiana Jones at Disney, Sindbad at Universal and many others in the Orlando area. Once I got into some of those shows I started to meet people in the film industry.

How did you manage to get hired for The Mandalorian TV series?

One of my best friends that I met at the very first show I did when I moved to Florida was Ryan Watson, the Stunt and Fight Coordinator for The Mandalorian now. We have known each other since 1999. He is one of the best in the industry for fights and creative camera work.

Which characters did you play as a stuntman? The Mandalorian himself?

I played a mandalorian, but not THE Mandalorian. The Mandalorian stunt double is Lateef Crowder. He is amazing with movement. I played numerous characters. I died 32 times in the first eighth episodes, many as a stormtrooper. I did all the high falls so any time someone falls from a roof, that’s me. You can count at least four in the final battle in episode 1. 3 falls in one circle of the gun and one when IG-11 shoots me before they walk in the door. That’s a couple examples, but I am all over the place. I also was the green face guy with Carl Weathers and speeder bike trooper.

You just mentioned that you ‘died’ 32 times. What was your favorite death scene?

Each death was unique. My favorite is high falls, which is why I get to do them all, but being torched by mandos flame thrower as a stormtrooper.

Which of these characters was your favorite?

They are all fun to play, but there is nothing like being a jet pack mandalorian flying on wires. Kids dream come true!

Did you meet the Mandalorian himself, Pedro Pascal? How was he to work with?

I met everyone and worked with the whole cast! It’s an amazing crew with no lack of talent and everyone is very down to earth. Being there every day, I had a chance to get to know everyone pretty well. Pedro is a jokester so we got along great. I’m a big comedy fan so I enjoyed Bill Burr.

Did any weird or funny things happen on or off the set?

There were a few funny moments on set. Lots of laughs all around really but when it was time to work playtime was over. Off the set there was plenty of laughs and good times. When you’re working 10-14-hour days it takes the whole crew to keep everyone in good moods and in the film biz there is no shortage of laughs.

What is your favorite anecdote regarding the production of The Mandalorian?

My fave laughs, not sure of anecdote, was when Bill burr would mess with the crew. He has such quick wit and had the entire crew laughing!

Were you a Star Wars fan before you got cast?

I was a so-so Star Wars fan. I liked the movies, mainly the first 3, and saw them pretty young. Being involved has brought me a little deeper into the world but I would not consider myself a diehard fan.

The question I have to ask every stuntman: what is the most dangerous stunt you’ve ever done?

Most dangerous stunt would be getting hit by car in Death Sentence with Kevin Bacon, or a 9-story high fall while being lit on fire, but it could be being hung underneath a helicopter by 75 feet of cable and flown over Los Angeles! Hard to pick just one, they are all super fun to me!


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Interviews

Exclusief interview met Jake Cannavale (Toro Calican)

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In aflevering 5 van The Mandalorian maakten we kennis met de jonge premiejager Toro Calican, gespeeld door Jake Cannavale. Speciaal voor zustersite StarWarsInterviews.com beantwoordde hij kort enkele vragen!


How did you get cast for The Mandalorian and were you a Star Wars fan?

They asked my agent if I would like to be in it. And I’m a massive fan and always will be.

How did the shooting of your scenes (most of them with Pedro Pascal) go?

They went very well. There was not a single difficult person to work with on that entire set. In my so far very short career that’s already not something I take lightly. Pedro Pascal was awesome! Mad love to Pedro.

You were directed by Dave Filoni, who many fans see as George Lucas’ heir. What is your opinion of him?

Other than the fact that he genuinely loves The Phantom Menace I have literally nothing bad to say about Dave. He’s the man. I loved working with him as an actor, and I have nothing but faith in him as a fan.

Did any weird or funny things happen on or off the set?

During me and Ming’s fight scene, Dave told her stunt double -whose name is also Ming- to actually kinda beat me up…it looked fantastic.

What is the best memory you have regarding The Mandalorian?

Probably knowing beyond the shadow of a doubt that I can pull off a blue leather outfit.

Besides acting you’re also a musician in a band called Vixen Maw. How would you describe the music you make and who are your musical influences?

Vixen Maw is an experimental grindcore band. I would describe us as the musical equivalent of getting lobotomized by an unlicensed brain surgeon with Parkinson’s disease and medical fetishism. I don’t like to speak on behalf of my band members (or anyone, as a general rule) but I can say we are all pretty eclectic in terms of our musical tastes, with extreme music being the anchor, or epicenter, so to speak. So our influences are pretty all over the place. I will say that we are currently writing a new album from our own respective quarantine spots and some of the bands I’ve been listening to for inspiration include Chepang, Bandit, Narayama, Vulva Essers, Cloud Rat, Botch, Wormrot, Coke Bust, Gulch, and Bryan Adams.

You’re almost 25 years old. Where do you see yourself in 10 years and what are your career goals?

In ten years I see myself hopefully having had enough memorable screen time to be sampled in some kids shitty grindcore band that his parents are sick of hearing rehearse from their garage. Also I would genuinely love to be writing for a living. Theater, film and animated television.


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Interviews

Exclusief interview met Richard Stride (Poggle)

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Door de jaren heen is er de meest grappige en bizarre Star Wars trivia in boeken en op internet verschenen, maar wat de geur(!) van de Death Star plannen was -tot vandaag!- goed bewaard gebleven!

In een interview met zustersite StarWarsInterviews.com deelt Richard Stride (die aan Attack of the Clones en Revenge of the Sith meewerkte) een leuke anecdote.


How did you get started in the movie business and how did you get the parts of Poggle and a Clone Trooper in Star Wars?

I went to drama school at the Academy of Live and Recorded Arts and in 1993 I graduated and went straight into a Hollywood movie called First Knight. I actually was originally cast as Obi-Wan’s double for the films Episode II and III. However, I gained many extra characters along the way.

How did you play Poggle?

I was in motion capture suit and had a great scene with the late Christopher Lee. When filming the scene with Christopher Lee, with the Death Star plans, I made a remark to the props guy that how clever even the smallest props where in design and craftsmanship in even the Death Star Plans. He started to laugh which was strange and when I asked him what was so funny he told me they had forgot to make them and he had to dash out the day before and went to Halfords and it actually was a car air freshener. So I told Christopher Lee when handing over the Death Star plans it was something to freshen the whole Galaxy with.

Can you share some of your memories regarding the time you worked on both movies?

I loved it. I spent all my time on set and didn’t really go to the green room as it was so much more interesting to watch other peoples scenes etc. It was lovely to be part of a big family on set and chat to so many interesting people.

How did George Lucas direct you?

He is a very visual director and has a very clear idea of what he is after. You have to put your trust fully in a director as they can see everything, and that’s what I did.

Did they give you any memorabilia after the movie was finished?

I was given a T-shirt and a signed call sheet on the last day of filming and a personal thankyou of George Lucas.

When was your first encounter with the Star Wars phenomena?

I saw it as a child on TV and loved it. I watch it over and over again.

What are your thoughts on the two Star Wars movies you were in? 

I liked them and they are great movies to keep returning to as you learn something new each time.

What do you regard as the highlight of your career so far?

I loved doing Star Wars, but also Shakespeare in Love, and playing Hamlet for the stage.


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Interviews

Exclusief interview met Paul Brooke (Rancor Keeper)

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Het is een van de meest bekende scenes uit Return of the Jedi: de scene waarin we een huilende Rancor keeper zien met op de achtergrond de zojuist door Luke verslagen mega monster. Afgelopen december was de Britse acteur Paul Brooke die deze rol vertolkte te gast op de EchoBase conventie in Utrecht. Uiteraard sprak ik hem voor mijn site StarWarsInterviews.com over de wellicht meest bekende seconden uit zijn leven én kwam ook een van de meest bekende acteurs allertijden ter sprake. Volgens traditie is het interview ook hier te lezen.


How did you get cast for Return of the Jedi?

I was touring India with a play for the British Council and my manager had trouble getting in touch with me because we were moving around from city to city. When we got to Calcutta, there was a message in the hotel waiting which said, “I’ve accepted two days filming for you the week you get home”. You have nothing to do. But we both made the money. Which made me laugh at the time and hadn’t really made me laugh ever since because I feel like I’m privileged to be even in a small role, the smallest role I ever played in front of a camera in a lucky career where I’ve rarely stopped working. But how lucky I was to be part of this extraordinary franchise.

What was your initial feeling when you got the part? Star Wars was very popular and this much anticipated movie promised to be big; it had the biggest budget of all three.

I wouldn’t have known that from my two mornings. But having said that, I’ve appreciated it, to be honest, more over time than I did at the time. For the reason that I’ve given you. Because I was nice and busy, I was lucky with work, and I was normally playing much better parts. But then the fact that people remember after all these years and that I get mail every week shows that even if it’s a small part, if it works, which is not just tied to the actor, of course it’s down to the script and everything. But if it works, it can make an impact that people will stick with. I’ve had the most extraordinary stories from people over the years of not only of their enjoyment, but of the passing on their enjoyment to their children and even grandchildren, which is rather touching. Probably if I’ve been offered the part and I was at home because I had loads of work where I had more to do, I would probably have turned it down and I would have regretted it like mad with hindsight.

Did you see the other two movies?

I think I’ve seen them both. I’ve certainly seen Star Wars. I was amazed and surprised that a very intellectual British theatre director, a famous guy at the time called William Gaskell, who I worked with at Royal Court Theatre, a pioneering theatre in London and who was rather up-market in all sorts of respect. I was doing a play with him before I got offered Return of the Jedi and he came out with the fact that he was a huge Star Wars fan. At the time I hadn’t seen the film and I didn’t think I thought, well Sci-Fi not particularly my scene. But then when Gaskell said, but it’s wonderful, it’s absolutely wonderful. You have to see it. So, I did and I was hooked like all the millions of others over the years.

What do you remember about the filming of your scenes?

The main thing I remember is how short it was. I did the little bit with Mark Hamill and then the following morning it was just me on a rostrum in front of a blue screen. No Rancor and nobody except for me being given directions by Richard Marquand, the director. Raising my head a little, turning the right a little up a little more. Now you’re looking at the Rancor, which of course I wasn’t, because the Rancor wasn’t there. And then on the cue having to burst into tears. That was my experience from the acting point of view. I mean, that in itself is not easy because normally you have other actors or even if the Rancor had been there in some shape or form you can respond to that. Responding to thin air is not always easy.

Did you know then what the Rancor looked like?

No, not at all.

The first time was when I saw the film and the first time I was actually WITH the Rancor was two years ago in Kentucky when this guy who built a huge Rancor for thousands of dollars and who takes it round the conventions, making money from people to be photographed with the Rancor. He said my model is up, would you pop up when you have a break, have some photos taken? I said “of course!”, and it was stunning.

Can you share any remarkable, unique, strange or funny things that happened?

I think the strangest is what I’ve already told you because it was so brief. I didn’t get to know any of the other actors. So, I said hello and shook hands with Mark Hamill. There were no personal stories. The strangest thing I think was the only time at that that I had to do something which was apparently responding to a creature that wasn’t there. But I’ve had other strange experiences in films and television. Maybe the strangest acting during a scene with Marlon Brando in an anti-apartheid film called Dry White Season, where although he was there and huge at the time. He was one of the only actors who made me feel small. It was really delightful, but he didn’t learn his lines. So, after you’d said you’re lying to him, you waited for ages while the woman upstairs told him through an earpiece what to do next, so there was a silence. You heard this in the background and then he’d come at you one hundred miles an hour force of his personality. You’d come in on cue. Then another long gap while upstairs the line was going into his ear. That’s difficult because you can’t suspend disbelief. It becomes a like an acting exercise because normally the response of the of the people helps you to act well, and if you’re not getting it straight back, there’s nothing to believe. So, when he speaks, you can respond to that but by then you’re out of the action for a period while the woman is telling him what to do. But I wouldn’t have missed it for anything. I mean, heavens, having acted with Marlon Brando, hero of my youth.

In fact, it was filmed in Zimbabwe because they wouldn’t allow at the time an anti-apartheid film to be filmed in South Africa. And I had two scenes there, one with Donald Sutherland and one with Brando. After I had done the scene with Sutherland they said, you can’t go home yet because we don’t know if Marlon Brando is coming or not. They said you don’t have to stay in the capital. You can go sightseeing, you can go to Victoria Falls, Lake Kariba and all these fabulous places but phone in every evening and we’ll let you know. So after about 10 days or something, I phoned in and they said, he’s not coming so you’re on the next plane back to London. I came back alone and they mounted his scenes, I think, at Pinewood, if I remember right. He was just in court scenes, so as isolated section of the film, he played an attorney. Then we filmed those couple of months later or something like that just outside London. When I first met him and introduced him, I said, I’m so grateful to you for not coming to Zimbabwe because I had this fabulous holiday at the film company’s expense. Now here I am at Pinewood being paid all over again for the same job. The great Marlon said to me “Glad to be of service”.

You have done a lot in your career but most people will always remember you for your role in Star Wars. How do you feel about this?

That’s part of the course with the acting game. The greatest thing for the actors of my level, basically a supporting actor, occasionally played leading part but mainly a supporting actor. The main thing is to keep working and you balance a part of which you have a lot to do a film or TV series with something where you don’t, or occasionally you do it just because it pays the bills.

I feel no negativity whatsoever about playing a tiny part and the fact that it has been clearly so focal for so many people is a bonus. You know it’s funny and genuinely touching when people get in touch with me and say “I saw this when I was six and I’ve been a fan ever since”. But I had so little to do. You know if you went to make a cup of tea you’d miss me and they say it doesn’t matter and they’ll always remember that moment. That is quite heartwarming. It’s great to hear.

Earlier this year a Star Wars fan film was released which features your character as a kid. It’s a prequel, an origin story where we see how he meets the Rancor. Have you seen it?

I haven’t seen it. I didn’t know is existed.

I was asked at some point, but after I retired, if I would be up in one of these later films for doing another scene. But I’d retired by then and I thought it was pushing it One of the things you have to remember as an actor is to remain reasonably match fit. You know you have to be up for it. The element of tension in front of a camera or on stage that you can still do your best. I felt having already given it up for a few years. Going back to it would probably not be a good idea.

For which movie was that?

I don’t remember. I’m afraid because I wiped it immediately. All I know is I’ve been retired for 10 years and it was during that 10 years. It was just an inquiry it might not even have come up with a job but I think it might have done because they were moving into this other area and they were I think they wanted to have a bit of a prequel for the Rancor keeper. Maybe they did it with somebody else and I haven’t seen that film that’s possible but I didn’t think that they did it.

The short film I was referring to isn’t official. It’s a fan film. Do you keep up with Star Wars? The new movies, TV series?

I haven’t seen anything of the stuff on television but I think I’ve seen all the films at least once but not the newest one. But I will do because my son will make sure that I do.

You have attended conventions, signing photos and other memorabilia. What is your general feeling to signing things and meeting fans?

Well I haven’t done a lot. I did one, for a different organization. I did one years ago maybe twenty years ago or more which had a bit to do with Star Wars, a bit with James Bond and other productions that I’ve been in. I was offered to attend conventions occasionally but I was always working so I never felt I needed to do it. I thought whatever my current project was I was lucky enough to be doing that. That was what I should be concentrating on. Now being quite a long time retired Zack got in touch with me nearly two years ago and suggested doing one in Kentucky. I thought what the hell. I went and did it and it was thoroughly enjoyable and the three days were packed with people. Then I did one for him ten days ago in Telford. So this is really only my third.

Looking back at Return of the Jedi, what are your feelings towards it?

What can I say. From an acting point of view it wasn’t hugely stretching. But, when I look back I think I’m really lucky to have been part of this legend. I feel that particularly because of the reaction of people and the fact that this very tiny bit of the film is remembered by so many people and think of it fondly. I really like that and probably they think about that much more about that than they do about television or films where I’ve had a lot to do.

I saw the movie in 1983, I was seven at the time, and I still remember you!

(Laughs) Extraordinary. Thank you!


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