fbpx
Social Media

Interviews

Exclusief interview met Gerard Smith (Resistance Colonel)

Geplaatst

op

Gerard Smith

Wat velen niet weten is dat The Force Awakens een Nederlands tintje heeft. Nadat eerder de Nederlandse acteurs Dickey Beer (Return of the Jedi) en Carel Struycken (Ewoks: Battle for Endor) in een Star Wars film te zien waren was het nu de beurt aan Gerard Smith.

Hoewel Gerard in de Verenigde Staten is geboren heeft hij (naast de Amerikaanse) ook de Nederlandse nationaliteit, heeft hij hier gewoond en spreekt hij ook de Nederlandse taal. Toen ik van hem bericht kreeg dat hij wilde meewerken aan een interview was dit dan ook geweldig nieuws: een Nederlandse Star Wars acteur die vragen beantwoord voor de Nederlandse Star Wars community! Treffender kan het niet.

In The Force Awakens speelde Gerard een Resistance colonel en is hij te zien in diverse scènes op de Resistance basis op D’Qar… maar daar vertelt hij zelf meer over in onderstaand interview (dat op verzoek in het Engels is).

Interview met Gerard Smith

Hi Mr. Smith, it’s great to have an interview with a Dutch Star Wars actor for the Dutch Star Wars site! A perfect match! My first question for you: Could you tell how you got started in the movie business?

I initially got inspired to be an actor by watching countless episodes of a show called Daktari as a kid. Daktari, Swahili for “doctor”, is an American children’s drama series that aired on CBS prime time between 1966 and 1969 in the United States. The series, an Ivan Tors Films Production in association with MGM Television starring Marshall Thompson as Dr. Marsh Tracy, a veterinarian at the fictional Wameru Study Centre for Animal Behaviour in East Africa.

However, it wasn’t until many years later that I actually walked onto a movie set for the first time.

Whilst completing my MBA (Masters in International Business and Economics) at UCLA – University of California, Los Angeles, a professor pulled me over after giving a presentation with my group and told me that I was a pretty good presenter and had I ever thought about acting. He suggested that I do so and wrote down a few names and numbers that I could call (this was before the internet took off), and gave them to me. So I contacted them and one thing led to another and I ended up on a movie set.

To be honest, I don’t actually remember what movie or TV show was my very first. I just remember calling the numbers my professor gave me and sending my photos in to them in the mail. Then I got a phone call one day and was asked to come into an agency in West LA on the Sunset Strip (Hollywood Boulevard). I registered with the agency and from that moment on I was on many productions.

I quickly earned my way into the Screen Actors Guild (SAG) and the American Federation of Radio and Television Artists (AFTRA) and was able to gain more respect by building my portfolio and ultimately landed a legitimate Hollywood “acting” agent/manager.

Can you tell how you got cast as a Resistance colonel for Star Wars: The Force Awakens? How did the casting process go?

It was my destiny. I came to the UK in 2012 for the Olympic and Paralympic Games after closing out and selling off my successful outdoor and adventure business in Belgium (think The North Face, Arc’teryx, etc.). I was hired on for the last 7 months as an event manager for The Games. My contract ended after The Games finished and I decided to stay in London to look for work.

So, one day I simply Googled acting agencies in London and a plethora of agency names came up. I registered with a few of them and was asked to come into one of them for a registration day. They said they were a new agency representing SA’s but had extensive contacts in the film industry. I didn’t think much of it nor did I hear anything from them for ages and then one day I got an email informing me that I had been chosen – from my picture – for a new movie and asking my availability for the summer months.

There wasn’t much of a “process” really. I was chosen from my picture, although I heard that there was a casting for some supporting actors. Once my availability was considered to be sufficient, I was informed that I would be a “pirate” in the anonymous movie. This is the 1st movie that I had been in for many years since I left Hollywood and when I heard “pirate” I immediately thought that the movie was a “Pirates of the Caribbean” sequel or something along those lines.

I then went to a fitting at Pinewood Studios where they took very accurate measurements.

I was not initially cast as a Resistance colonel. I was a basic Resistance fighter fitted into a standard Resistance “pirate” military outfit. On the first day of filming, I went to wardrobe and my costume was fitted on me. I, as did everyone, had to be inspected and given the personal approval of Michael Kaplan, Head of Costume Design. He looked me up and down, through his big black-framed glasses, and he very quietly and calmly told his assistant standing next to him to upgrade me to a Colonel.

How did the filming of your scenes go?

I was in multiple scenes both on location at the RAF Greenham Common – the Resistance base on D’Qar – and at Pinewood Studios.

In general, the filming was quite intense because I had to focus on my performance as an actor as well as concentrating on other things going on around me such as health & safety as well as other personalities and the absolute awe of being on the set of Star Wars with the original cast and incredibly talented crew, technical specialists, artists, creatures & robots.

It was imperative to be absolutely focused on your role at that moment. It can be quite distracting to be standing next to a 7 foot Wookiee as BB-8 scoots past you or Admiral Ackbar positions himself next to you in the War Room. Not to mention being in the same room with Harrison Ford, Carrie Fisher and many others. So total FOCUS on the task at hand and staying in character was key and it was very important not to get star struck. I carried on performing as if it was just another day at the office.

My scenes started filming late spring and early summer at Pinewood Studios. However, as we all know, Harrison Ford broke his leg on set and many of my scenes were postponed until late summer after Harrison returned back from LA fully recuperated. Upon our return in late summer, as you can imagine, the emphasis on being SAFE on set could not be over emphasized!

GS3

You were there on the set with some Star Wars legends like Carrie Fisher, Harrison Ford and new stars Oscar Isaac and John Boyega. How were they and did you get to interact with them?

The entire cast and crew were incredibly nice. As well, I will take a moment here to mention that the Director, J.J. Abrams, was (is) an incredibly talented, patient and all round nice person and extremely fun to work with. I am NOT just saying this just to be saying it. I have worked with a lot of directors and A-listers and believe me they are not all so patient and fun to work with!

Yes, I got to speak with many of the Star Wars legends, but not at great lengths except on one occasion.

One morning on location, I was asked by an AD to follow him. He brought me close to the Millennium Falcon and then asked me to stop and wait there until he came back. Then, after about 15 minutes, he came back and asked me to follow him closer to the Millennium Falcon. He brought me right under the spaceship and then I started seeing familiar faces like Carrie Fishers stand-in and Harrison Ford’s stand-in. Then J.J. emerged out of a crowd of activity under the Falcon where it became apparent to me that they were preparing to film a major scene. The AD put his hand on my shoulder and said “this guy” and J.J. gave a quick sign of approval then spun around and disappeared into the busy group behind him. The AD just walked away and told me to stay where I was standing.

It was about 9am by this time and the sun started burning its way through the early morning mist. About that time, a group of very nice wardrobe and make-up ladies approached me and started pulling out their sewing needles and make-up kits and went to work on my uniform and my face making sure everything was perfect. Not long after that, Admiral Statura (Ken Leung) approached me from the same group that J.J. had disappeared into. He said that we would be doing a scene together with Harrison and Carrie. I didn’t have time to get nervous or think about how incredibly cool this was. So Ken and I stood there together about an hour talking and getting to know each other in the warm morning sun. A very pleasant experience. Turns out he is from the same part of the States I am from and we just couldn’t stop talking. He even told me that his closest childhood friend in New Jersey was called “Gerard”! We had a lot of fun talking while waiting until everything was set. In the meantime, the lead photographer and his team also came over to us and took like a zillion photos.

Finally, Harrison and Carrie came out under the Falcon to rehearse their roles. Carrie’s action was to come to Admiral Statura (Ken) and me after her intimate moment with Harrison. So before we formally started rehearsing, she came up to me, reached out and shook my hand and said hi and asked me how it was going. We talked for a while in the morning sun with Ken and then Daisy Ridley came bounding over to say hi. She was smiling from ear to ear and very jubilant. Extremely nice and you get a very sincere feeling about her.

Ken welcomed me to the Star Wars family and made me feel very at ease. Carrie talked to me about many things and was explaining to me about her dog before J.J. came over and got her and asked her to go back to Harrison that we were ready to start filming.

After a few rehearsals, J.J. walked up to Ken and me and gave us a few suggestions to nail the action. Then he shook both of our hands and emphatically said let’s do this as he walked away.

I spoke with Harrison Ford on a few other occasions, mostly at craft and about coffee, but he was rehearsing the details of his scene with J.J. whilst we were all talking.

What great/funny/remarkable stories can you share regarding your time on the set of Star Wars?

I don’t know where to start (or stop). I couldn’t possibly explain them all here, so I will only select a few. The entire experience was amazing. From the outset of filming, J.J. Abrams made us feel like “part of the family”. Sometimes J.J. would take a moment at the beginning of the day and give a short impromptu speech about how he was really happy to have us ALL working together and that we should ALL feel as one family and that we indeed ARE all one family!

I guess one other remarkable moment was when, as if it couldn’t get any better, I had to step out of the scene for a few minutes while some cables were being moved in the place I was standing. So I was asked to step off (and down the steps) to the ground level. I just stepped into a group of onlookers and didn’t really look anyone in the face until after. So a few minutes went by and I decided to look quickly to my left. So, standing directly next to me was Kathleen Kennedy (President of Lucasfilm), Tom Cruise and Simon Pegg. Kathleen looked back at me and said “Hi” and Tom looked over and gave me a friendly nod while Simon Pegg kept staring straight ahead in total amazement of the set and what was going on.

The other truly remarkable thing about Star Wars and my time on the set was the SET itself!!! The set design and all of those absolutely incredibly creative people that helped make that happen is truly beyond comprehension! I couldn’t help just looking and studying (on my down time) the intricacies of the set design of the Resistance base! Incredible!

What is the best or most precious memory you have regarding The Force Awakens?

I am not sure if it’s the most precious moment, but it’s the one that I think about almost every day and that’s when I was selected to be in a scene with Han Solo, Princess Leia and Admiral Statura in front of the Falcon Millennium. It’s the scene I just described 2 questions prior to this one.

When J.J. Abrams came over and shook my hand before we started to film that scene, I knew that it was a special moment. It was even more special after we successfully completed the scene and J.J. came out and was smiling and said, jokingly, “if it didn’t work it was all Gerard’s fault” and was smiling from ear to ear looking at me!

In a previous scene on another day when Princess Leia was giving a speech to all of us inside of the Resistance base, J.J. came out from behind the camera between ‘takes’, walked towards the edge of the platform where we were all standing and looked at me and asked me what my name was in front of all of my Resistance Alliance Rebel colleagues. I told him my name was “Gerard”. He said, hi Gerard, and politely asked me if I could stand more “straight up” in the group rather than leaning slightly to one side because it didn’t look right on camera. I was embarrassed like hell but my fellow Resistance fighters were like, he spoke your name! What an honour to have J.J. Abrams actually speak to you!

Star Wars VIII is currently filming and Rogue One will be released in December. Will we see you in one of these movies (or in both)?

No, I was not involved with Rogue One. “They have contacted me to be involved in Star Wars VIII, but of course, I can’t disclose much about that now. Plus I don’t know anything . . . It’s really on a “Need to Know ” basis, even for some cast members and walk-on actors like myself. ”

GS2

Besides Star Wars you have acted in a lot of popular movies and series: SPECTRE, Blade, Babylon 5… what is your own personal favorite of all the things you’ve been in?

I really enjoyed working on Blade. That’s the most memorable for me. We filmed most of the vampire scenes in the San Fernando Valley in an abandoned factory building. Each day we had to walk through a huge “shower” and get covered in artificial blood before filming. That was after getting our vampire fangs fitted and special shoes. Each day we had new shoes and new clothes as well because they were ruined by the fake blood and impossible to clean it off. Every day after filming we had to take a shower before leaving (obviously).

Since I do some martial arts, and the director liked my look, I was upgraded to do a fight scene with Wesley Snipes. Since I had to work with the fight choreographer, I was invited to go behind the factory where Wesley’s trailer was. They had built a mini-outdoor gym on the side and so Wesley told me I could pump a little iron if I wanted. So that was cool.

Unfortunately, the entire fight scene that I am in with Wesley did not make it to the final edit. But it was really cool to have done it anyway.

I read you once helped Arnold Schwarzenegger move his furniture out of his house. I just have to ask: how did you get into a situation like that? Helping out ‘The Governator’?

It’s an amazing story really. As anyone that knows me can tell you, I am a huge fan of everything Terminator, so when I first met Arnie on the set of Batman and Robin in 1997 on the Universal Studios lot when he was Mr. Freeze and I was a Gotham City wealthy patron, I was very pleased to say the least. He was full on in his outfit and stepped out to have a puff on a cigar. I had “seen” him a few times since I lived in Venice Beach and joined Gold’s Gym on Muscle Beach where he used to pump iron out in the open Californian air. He passed by there every so often. He also owned a restaurant and Austrian beer house in Santa Monica called “Schatzi’s” where I used to frequent. So I had seen him a few times, but never met him until on set.

In addition to doing the acting thing, I was also an event and party manager at a VIP party service to the stars based in Beverly Hills called The Party Staff. They regularly sent me out to great locations such as The Playboy Mansion and other residences in Beverly Hills. On one occasion, I was assigned to Arnie’s house to manage one of his many charity events he was putting on. So that’s how I ended up in his Beverly Hills mansion moving furniture with him. It wasn’t a lot of furniture or big stuff. Just a few tables in the den. He asked me to help him move them out so that when the guests arrived, they wouldn’t be tripping over things and more space would be available for guests to congregate in the den if they so desired.

My final question: Could you say something in Dutch to all the Dutch Star Wars fans out there?

I am honoured to be a global citizen of the world and to represent the Netherlands in such an iconic movie as Star Wars! As a teenager, I was scolded once by my science teacher in school that I was a “dreamer” and was told on multiple other occasions to stop looking out the window and daydreaming. The creator of Star Wars, George Lucas, was in fact a dreamer. The creative team that Lucas initially set up in the summer of 1977 got together to “dream” of the worlds that Lucas had created to help bring the movie to life. So if I can say just one thing, that’d be “STOP NOOIT MET DROMEN!” (“NEVER STOP DREAMING!”)

That’s a great advice! Dankjewel voor het interview en hopelijk tot ziens in Star Wars VIII!

Special thanks to Sci-Fi signers united!SCiFiSigners

SWIsmallbannerStar Wars Interviews – ‘Mem-Wars’ from a galaxy far, far away…

Fan sinds 1983. George Lucas cultist en aanhanger van Legends (1976-2012). Oprichter van StarWarsInterviews.com waarvoor hij 175+ cast en crewleden interviewde en auteur van de aankomende 'Star Wars Interviews' boekenreeks. Zijn interviews zijn tevens gebruikt voor The Making of Return of the Jedi, Stormtroopers: Beyond the Armor, The Star Wars Historical Sourcebook en Star Wars Icons: Han Solo. Geboren toen de opnames van A New Hope van start gingen. Voormalig assistent van Anthony Daniels. Vader van 2 Padawans.

Lees verder
Advertentie
Klik om te reageren

Laat een reactie achter

Het e-mailadres wordt niet gepubliceerd. Vereiste velden zijn gemarkeerd met *

Interviews

Exclusief interview met Rusty Goffe (Kabe, GONK droid, Jawa)

Geplaatst

op

Door

De Britse acteur Rusty Goffe speelde maar liefst drie rollen in de allereerste Star Wars film uit 1977. Hij was op Tatooine te zien als Jawa, GONK en de aan juri-juice verslaafde Chadra-Fan genaamd Kabe!

Onlangs was Rusty in Nederland aanwezig bij een speciale Harry Potter-dag (een andere franchise waarin hij te zien was) in de Lemistore te Almere. Na afloop sprak Dennis hem over zijn Star Wars ervaringen!

Interview met Rusty Goffe

How did you get cast for the first Star Wars movie?

Way back in the 70’s there weren’t many dwarf actors. You had Kenny Baker who played R2-D2 and his partner Jack Purvis who was the chief Jawa and there was me! They tried me out for R2-D2 in case Kenny couldn’t cope inside the droid. Luckily he was alright so they cast me as a Jawa and it followed on from there.

One day I went into the studio and the special effects guy said “bend over and touch your toes”, which I did and they put some suit over me. They called George Lucas and said “George, how is this for a character?” George said “I love it, and we will call that a GONK”. So, that’s how the GONK droid happened.

The third character I played was Kabe in the Mos Eisley cantina. She was originally played by an elderly lady called Gilda. The costume was absolutely horrendous like every other costume was and she collapsed and fainted. She couldn’t continue so George Lucas said “Rusty, get in the dress”. That was it! I played three characters!

You mentioned the GONK. The most famous scene of him is in the sandcrawler making the legendary GONK noise. That’s you!

Yeah, that’s me! And then you’ll see a Jawa, that’s Jack Purvis. Right after that you see the GONK again with a Jawa, but this time Jack is the GONK and I am the Jawa, we switched roles and it was hysterical.

Were you in Tunisia to film Jawa scenes?

No, I was only filming at the Elstree Studios.

So, all your Jawa scenes are the interior shots.

Yes, and also in the cantina when Luke comes down the stairs with Obi-Wan you see a Jawa rushing around them that is me as well!

What was the funniest thing that happened on the set?

That was when Sir Alec Guinness was coming with Luke in the cantina. George Lucas instructed me to rush towards them and just pass them quickly on their left. Before it was ‘action’ the first assistant director said “pass Sir Alec on the right”. That was the last direction I got, but no one told Sir Alec that, so I nearly knocked him over. He thought I was going left but I went right. I said “sorry” and then George Lucas said “what the hell are you doing, you should have gone left” but luckily the assistant director said he told me to. So, I was exonerated. So in short: the funniest thing was I nearly killed the star of the show. (laughs)

(Laughs)

Without a lightsaber.

What do you regard as the best memory you have of your time working on Star Wars?

No one knew what we were doing. It was fantastic to film everything and I would do it all over again if I could go back. George Lucas and Gary Kurtz were like two young college guys making a movie with all these lovely actors. We didn’t know how big it was going to be. It went from a cheap budget film to 48 billion dollars later!

When did you see Star Wars for the first time?

That was two months after it opened. I sat in the cinema and loved it when those spaceships came from behind us. I was “wow, this is it”. The clever bit was, which I didn’t realize then, the way John Williams wrote the Star Wars theme. The first note of the Star Wars theme is the same as the last note of the 20th Century Fox theme. (Starts humming the Fox theme) So, the brain didn’t have to think. It flows if you know what I mean.

Now that’s some cool trivia.

Everyone at the cinema was happy. It had spaceships, swashbuckling pirates, swordfights. It’s what the world needed. Well done George Lucas.

You didn’t return in The Empire Strikes Back. How come?

Because I was doing other movies at the time like History of the World Part I with Mel Brooks, a movie I wanted to do. It was fantastic with those guys. I can proudly say I was in the first Star Wars, the baby of the franchise.

One of your characters, Kabe, got her name and backstory in the late 80’s and mid 90’s. Have you ever read her short story in the anthology book Tales of the Mos Eisley cantina?

No, I haven’t. I wasn’t aware of that.

Well, I can absolutely recommend it as it’s a great story.

I will definitely look for that! As I said that costume was so hot. You couldn’t breathe in it and it was so claustrophobic. It wasn’t something for every person. Still, it was an unbelievable time.

You were in your twenties back then right?

I was very young, yes. I’m still young now. (laughs)

(Laughs). That’s a great way to end this interview. Thanks!

Met dank aan Casper en Lemistore voor het mogelijk maken van dit interview!


Meer unieke interviews vind je op: Star Wars Interviews – ‘Mem-Wars’ from a galaxy far, far away…

Star Wars Interviews

Lees verder

Interviews

Exclusief interview met Daniel Keys Moran

Geplaatst

op

Door

Medio jaren 90 was het de Amerikaanse auteur Daniel Keys Moran die Boba Fett ‘nieuw leven gaf’. Voor de korte verhalen bundels Tales from the Bounty Hunters en Tales from Jabba’s Palace schreef hij hoe Fett aan de Sarlacc ontsnapte en zijn loopbaan als premiejager vervolgde terwijl hij ook met een verhaal aan Tales from the Mos Eisley Cantina bij heeft gedragen.

Daar het gonst van de geruchten over een Boba Fett film was het dus hoog tijd om hem te interviewen voor deze site!

Interview met Daniel Keys Moran

I’d like to start at the very beginning: what got you into writing and how did your career take off?

I can’t remember ever not wanting to be writer. Wrote my first novel at 8 “Third Degree Magic,” the main two characters were me and my friend Steve. The bad guy was named “Diablo.”

Sent my first story off to a magazine at 13, “A Day in the Life of a Telephone Pole.” Wrote my first real novel at 15, an alien invasion western novel. Finally sold a story to Isaac Asimov’s Science Fiction Magazine, at 18. Few years after that sold my first novel to Amy Stout at Bantam Doubleday, we’re now married and have five children together.

When and where was your first encounter with Star Wars? And what did you think of it?

My high school debate team won a pretty big debate and as a reward we were offered the chance to do several different things one of them was going to see this obscure movie called Star Wars at the Chinese Theater on opening day. I don’t think we were at the first showing I vaguely recall getting back to the school pretty late in the day but maybe the second or third showing. Pretty good chance David Gerrold (the writer of “Star Trek: The Trouble with Tribbles,” Chtorr, “The Man Who Folded Himself”) who later got to be a great friend, was in the theater with me when we watched it. He was also there for an early showing, that first day.

I was blown away. It was the first SF movie that managed onscreen the sorts of things I saw in my head when I read Edgar Rice Burroughs.

You wrote two short stories about Fett (called A Barve Like That and The Last One Standing), creating a lot of background for the character, who was especially back then a huge fan favorite. How did you approach this massive task?

It wasn’t a massive task. It was a short story and a novella, and while I put a lot of skull sweat into them, most of what I’ve ever written’s been a heavier lift. They were fun to write, aside from dealing with Lucasfilm. I put a pseudonym on “A Barve Like That” because I was cranky with Lucasfilm; they were mad about that. So it was a surprise to me when they had me write “The Last One Standing” I was pretty blunt by that point, having done two stories already and scratched the itch to work professionally on Star Wars. Wrote them an outline, told them they could have it or not have it but I was writing what was in the outline, and they said yes. So that was a surprise. Then they tried to excise what was probably my favorite scene in that story; Kevin J. Anderson stopped them, and I’m grateful for that. It was published as written, minus a few word changes here or there.

It’s one of my favorite stories. It came from Harrison Ford’s desire to see Han Solo die in Return of the Jedi “he’s got no Mama, he’s got no Papa, he’s got no story.” So I took that and ran with it. I did the first “Old Han” story as well as the first real Boba Fett story, taking them into the future and dealing with the loss of their youth.

You also wrote the tale of Kardue’sai’Malloc, the devaronian seen in the Cantina. What was your inspiration to write his story?

That was a pure “I want to write Star Wars” thing. Kathy Tyers had written an excellent story about the Modal Nodes, the band that plays during the Cantina scene I wrote a story that surrounded hers, about Kardue/Labria, who always seemed to me to be having an awfully great time in the bar that day. Turned him into a music collector who worshipped the Modal Nodes, and had a fun story about how he arranged to have them playing at the bar that day.

One of your Boba Fett stories and the Devaronian’s tale were heavily edited. In fact, the Fett story was published under your pseudonym JD Montgomery. What was exactly edited, and what was the reason?

Devaronian’s Tale wasn’t edited that much. Mostly they wouldn’t let me swear, or mention whores. I wasn’t thrilled with the changes, but they were minor.

I don’t know what happened with “A Barve Like That.” I agreed to do it, then they told me I couldn’t really write my outline, where Fett spent years down in the Sarlacc; he could only be down there for a day or two. So I wrote that story. Then they told me the Sarlacc couldn’t be intelligent, which was the actual center of the weakened story, so I took all the Sarlacc’s contribution to the story and gave it to one of Fett’s fellow prisoners “Susejo,” or O Jesus backwards. I’ve had people write me telling me they loved that story, and OK, but man, it was only a shadow of what it should have been. In its final form Fett falls into the Sarlacc, argues with a fellow prisoner, and climbs back out again. Eh.

How did you react to the news your stories were edited and why did you choose to have one being published under a pseudonym?

I behaved with forthright and reasonable bluntness. Later on I met one of the ladies who worked at Lucasfilm, and upon hearing my name, she took two steps backwards. So maybe my perception isn’t the whole of the story.

I always thought that back in the 90’s Lucasfilm didn’t want authors to write about the pre-A New Hope era because they were making the prequel trilogy. However, they let you write about Boba Fett in his younger days. Do you know why they approved that?

No idea.

A couple of years after your Fett stories the movie Attack of the Clones showed the origins of Fett, contradicting your stories. How did you feel about this and which version do you prefer?

I prefer mine, of course. But it didn’t particularly annoy me. I don’t care much about canon, and my stories are still out there for anyone who wants to read them. And frankly, even within the universe of commercial fiction, Lucas was utterly contemptuous of his own early writing, when it came time to make the prequels. The idea that I should get annoyed about him ignoring mine? No.

In your stories Fett’s real name was Jaster Mereel, something which was later retconned and Jaster became another Mandalorian. Did you know about these retcons and do you like them?

I haven’t followed along with anything except the televised & movie material. Shout out to Star Wars Rebels, there that was a fine piece of work. Watched it with my youngest boy, start to finish.

There are rumors about a Fett spinoff. Any advice for Lucasfilm? You’re the expert!

I’ve had a guy at Disney email me a couple times over the years regarding Lucasfilm adapting “Last One Standing” into a Fett movie. Not asking permission, they own those works, just letting me know they were thinking about it. So that was kind. But after Solo stiffed, apparently there’s some question about the Fett movie being made.

As to advice for Disney? I thought The Last Jedi was brilliant, the first Star Wars movie since The Empire Strikes Back I thought was a complete success on its own terms. Then I thought Solo was perfectly adequate and inoffensive, and as much as I love Star Wars, that’s a little sad. So for advice? Get the creative team behind The Last Jedi on your Fett movie, rather than the team behind Solo.


Meer unieke interviews vind je op: Star Wars Interviews – ‘Mem-Wars’ from a galaxy far, far away…

Star Wars Interviews

Lees verder

Interviews

Exclusief interview met Rick Stanley (Cutthroat hunter)

Geplaatst

op

Door

In de herfst van 2017 kreeg ik een bericht uit Engeland: Rick Stanley, een Amerikaanse Star Wars vriend van me die daar woont wist te melden dat het hem gelukt was: hij was gecast voor de rol van Cutthroat Hunter in Solo: A Star Wars Story. Ik ken Rick al jaren, hij heeft me als oprichter van Sci-Fi Signers vaak geholpen en nog voordat ik het kon vragen gaf hij aan graag zijn verhaal te willen vertellen.

In onderstaand interview doet hij zijn Star Wars verhaal uit de doeken: van trouwen met een Britse actrice uit The Empire Strikes Back tot een site voor Star Wars acteurs opzetten tot zelf gecast worden voor Solo!

Interview met Rick Stanley

I’ve known you for many years and you’ve helped me with a lot of interviews so this is weird and fantastic at the same time! You’re in a Star Wars movie! How does that feel?

It’s been a real pleasure Dennis knowing you all this time and it’s been an honor helping you out! You have done an excellent job with Star Wars Interviews over the years with all the many fascinating interviews you have conducted! It is strange because I never thought I would work on a Star Wars film and have the great honor of being interviewed by you! To say I was over the moon and floating on air when I found out that I was booked for one is a vast understatement! It’s unbelievable how hard it is to get on anything with the Star Wars name and I consider myself very, very fortunate!

When and where did you see a Star Wars movie for the first time and did you become a fan right at that moment?

Well that’s kind of a long story. I was almost 20 years old when A New Hope came out and actually didn’t see it until it was broadcast on HBO. In 1977 being the age that I was all I could think about were all the B science fiction films that were in abundance as I was growing up! I know it sounds sacrileges to say but I even thought the name ‘Star Wars‘ when I first heard of it sounded cheesy! All I could think of was pie plates on fishing lines. Even all the hype and hoopla didn’t influence me and there was plenty of it at that time! I’m from Orlando, Florida and what turned me around was in 1980 I went to work temporarily down in West Palm Beach for a company that an uncle of mine was vice president of. I only worked the week days and the company would offer to fly me back home or reimburse me for my petrol if I wanted to drive. Well one weekend I didn’t want to spend the time going back home so I just hung out and saw that The Empire Strikes Back was playing at the theatres. I went to see it to find out what all the fuss was about and was completely wowed by it and have been an avid fan ever since! I to this day still regret not seeing A New Hope when it was fresh in the theatres!

Your wife (Stephanie English) was in The Empire Strikes Back 38 years ago. What took you so long to get cast for a Star Wars movie? Seriously: how did you manage it?

Yes, it’s hard to believe that I saw my future wife Stephanie English in that movie theatre so many years ago in West Palm Beach! She portrayed a Hoth Rebel Technician at Echo Base. She has been working in the film business for 42 years. We just celebrated our 7th wedding anniversary actually on the other Star Wars day May 25th. We didn’t plan to have it on that day which was amazing it happened that way! Stephanie got me into film work shortly after we got married and I moved to London. The way it happened is Stephanie got an email from one of her agencies that she is with asking if she knew anybody who had an American vehicle. She responded saying her husband ‘me’ had a pickup truck. I brought my Ford Ranger pickup truck with me when I moved to London. I ended driving it in the Ridley Scott film The Counselor and that was my first film work gig. Since then I have worked on quite a few productions, mainly background but some featured and the one that I’m really proud of is a National Geographic movie documentary called The Jesus Mysteries where I played a main cast part as the apostle James the Elder alongside Nick Simmons who portrayed Jesus. Nick is the son of the founder and bass guitarist of the rock group KISS Gene Simmons. With getting on a Star Wars film or any film for that matter it’s really luck of the draw but I think it’s even harder because of the popularity of Star Wars and the same with films like the Harry Potter prequels. It’s mainly about your looks and what they are looking for to fill a role at the time. I was put up for Rogue One which I would have loved to have got on but to no avail! Now with Solo I was put up for it 4 times and the fourth time was the charm! I was very happy when I heard that I was going to be included into that “hive of scum and villainy”!

You run a great website called Sci-Fi Signers United where convention organizers can book actors from Star Wars and many other franchises. For the people who don’t know this site: what was the reason you started it?

Thank you for those kind words! Well actually a mutual acquaintance of mine and my wife started what was called the Sci-Fi Convention Signers Co-Operative and I helped run it with him until he decided to disband it. After that I started the Sci-Fi Signers United from scratch and kept the same spirit there! It’s a site where organizers can contact the actors and film professionals directly for shows and autographs without having to go through an agent. I don’t make any money from it. I offer it as a free service for the signers to help them out. A lot of them that are on it are mutual friends that Stephanie has worked with over the years and some of the new ones are friends I have worked with on other productions.

Since you’re Star Wars character now I was wondering if you’re about to enter the signing/convention circuit yourself now?

No, it just wouldn’t be my cup of tea to do it. I really enjoyed going around the country with Stephanie when she was signing at shows but she is retired from doing them now and it wouldn’t interest me at all to do it myself. I will consign it to good memories of fun times! We both want to concentrate on the film work and I’m content just keeping the Sci-Fi Signers United running!

Back to Solo: please tell everything about the character you played and in which scenes you were in.

To start off when I went for my fitting I asked what my character was called and was supposed to be and the wardrobe guy said I was playing a reprobate a ‘cutthroat hunter’. I said well that sounds pretty cool! I was wearing a dark beret, a blueish grey long sleeved shirt, a dark suede coat that came down below my knees and it was left open with a wide belt wrapped around it with a large rectangle silver belt buckle and I had a leather ammo pouch attached to the belt. My trousers were baggy and black almost like cossack trousers. I also wore tall brown boots with greyish colored boot guards wrapped around them. To top it off I had an orange neck scarf that the wardrobe lady would make a point tying it in a French knot. She called me her little Frenchman every time I would go to change in to costume! From the day I got fitted to my last day on it I got French resistance comments and even one of the costume designers was amused by it when we were lined up my first day on set for a costume check! I also got a lot of Che Guevera comments because I guess I kind of looked like him with the beard and beret. I had a prosthetic scar on the left side of my face. It was a really cool getup! I was there for the Sabacc table scenes, the droid arena scenes and several bar area scenes! It was a really big and amazing set and spent I would say about 80% of my time on set. Some films you can spend hours in the green room or holding area before you are called to set but that wasn’t my experience on this one. I felt lucky when I was able to get outside to have a cigarette break I was on it a week and did 12/13 hour days each day. I was exhausted but man it was worth it! Also one of the days I was there they took me to a different part of the studio and did a 3-D scan on me in costume and also I did an action photo shoot doing various poses.

You were on the set with most of the main actors like Alden Ehrenreich and Donald Glover. How were all those stars on the set and behind the scenes?

All of them were absolutely awesome and what an honor it was for me to be amongst them with the many others who were there with me also! Man I’m still pinching myself to make sure it wasn’t all a dream! They all nailed their parts brilliantly and it was an honor to be able to witness that first hand and be a part of it all!

Could you share some good anecdotes regarding your time working on Solo? The more the better of course!

Well let’s see… there was one time when we were waiting for them to set up another shot on a different part of the set I decided to rest my weary legs after standing up most of the day and took a seat on Han’s sabacc table stool except I was sitting backwards to the table with both my elbows propped on the table with my legs stretched out and crossed in front of me. The only others that were sitting in that part of the room with me at the time were Therm Scissorpunch and his alien buddies! Another time I was waiting again for them to set up a shot and I was sitting on the stairs facing the bar area and the girl taking care of Joonas Suotamo stood directly in front me and had his Chewbacca mask in her hands but she was holding it behind her talking to somebody in front of her. She backed up a little too close to me and it started brushing me in the face so I had to move and find a different spot! My wife Stephanie dropped me off at Pinewood Studios each day in the morning and picked me up when we wrapped for the day and I would always sit at a bench next to the security office waiting for her to roll up in the car. The second day I was really tired because I hadn’t had much sleep the night before and also the night before that. I just wanted to get home, take a shower, get something to eat, go to bed and start it all over the next day! I completely forgot to have hair and makeup remove my scar after I derigged. When I sat down on the bench waiting for Stephanie a young woman was sitting on the bench also. After a while she looked at me and asked me if I was a stunt man. I said no why? Then she said how did you get that scar? At that moment I realized that I forgot to have it removed. I told her I was working on a film and it wasn’t real. She then asked me what film I was working on and I told her I couldn’t say! I thought that was pretty funny!

You joined Solo after Phil Lord and Chris Miller were replaced by Ron Howard, a real veteran director. How was he to work with and how does he distinguish himself from other directors?

Wow!!! What an honor it was to be directed by the legend who is Ron Howard! I would call him a director’s director! It was a pleasure to see him work and do his magic! He is a very hands-on director and knows exactly what he wants! He is also the first Oscar winning director to direct a Star Wars film! I grew up watching him on the Andy Griffith show and when I was a teenager watching him on Happy Days and the George Lucas masterpiece film which is American Graffiti!

What are the chances we will see a Rick Stanley action figure in the future?

Hahaha!!! Well they do have the scans and photos so they have the tools to make it possible! A person can only hope!!!


Meer unieke interviews vind je op: Star Wars Interviews – ‘Mem-Wars’ from a galaxy far, far away…

Star Wars Interviews

Lees verder

Interviews

Exclusief interview met Kathy Tyers

Geplaatst

op

Door

Haar bestseller The Truce at Bakura was ooit het directe vervolg op Return of the Jedi, ze schreef korte verhalen over Oola, Bossk en de Cantina band, was lang één van de auteurs die schreef voor de Adventure Journals van West End Games en Balance Point (waarvan hierboven de cover te zien is) uit de New Jedi Order reeks is van haar hand. Ik heb het uiteraard over de Amerikaanse schrijfster Kathy Tyers die in de ‘Star Wars renaissance jaren’ in de jaren 90 met haar boeken en korte verhalen enorm heeft bijgedragen aan de opbouw van de Expanded Universe. Onlangs sprak ik deze bijzonder vriendelijke vrouw (die een echte fan is) over haar Star Wars periode…

Interview met Kathy Tyers

I read that in the summer of 1977 you were such a big Star Wars fans that for two weeks, every day you took a friend to see the movie. What was it that you liked so much about Star Wars?

The story was uplifting. The music was fabulous. The visuals were amazing, especially for the era. Most of all, I loved watching their faces when the Millennium Falcon went into hyperspace. That was an amazing visual effect in 1977!

You once said that after you heard you got to write your first Star Wars novel your handprints were on the ceiling. Are they still there?

You certainly did do your homework! I don’t live in that duplex anymore, so I have no idea. But it would be fun to go back and see.

Your best known Star Wars book is of course The Truce at Bakura, which takes places almost directly after Return of the Jedi. What was your inspiration while writing this book, and what directions did you get from Lucasfilm?

When I got the call from my editor at Bantam Books, Janna Silverstein (shout out to Janna!), she asked for 4-5 story ideas to pitch at a conference call four days later. The idea that wouldn’t let me go was that somewhere in the Galaxy Far, Far Away, our heroes would end up fighting alongside Imperial troops for just a little while. What, I wondered, could make that happen? And once the threat was neutralized, would they turn on each other… or would each side emerge with a little more respect for the other side?

My directions were to include as many main characters as possible, to set the story immediately after Return of the Jedi, and to make sure nothing in my novel contradicted anything that was shown to take place roughly five years later, in the books that Tim Zahn had already contributed to the series.

Fortunately, the Powers That Be liked my favorite idea. I was asked to develop a longer outline for the book, and since I write from an outline anyway, that was a familiar pleasure. I felt that I already knew the characters well, and it wasn’t hard to imagine what they might do next. The good people Lucasfilm offered a few tweaks to the outline and turned me loose to write the book! They also had to give it a final OK, of course.

For the three ‘Tales of’ anthology books you wrote the stories about the Cantina band, Oola and Bossk. Did you get to choose the characters? And what made you pick exactly these characters?

I begged to be able to write about the Cantina band, since I am also a musician and played wedding gigs for years. It was a chance to get a little snarky about how difficult this can be! Kevin J. Anderson, who coordinated the anthologies, also let me choose Oola – again, because I have a bit of experience dancing (long ago…). But he told me rather sternly that I wouldn’t get first pick on the Bounty Hunters anthology. Fortunately, I had a great time writing Bossk.

You said that writing for Star Wars was a bright spot during a dark time in your life. I fully understand it if you don’t want to talk about the negative part, but I would like to ask what made writing for Star Wars so bright for you. 

The exciting story lines – the smart, creative people I worked with – the chance to contribute something that would be read and remembered, at least for a few years. And I really did love the Galaxy Far, Far Away. I love the “space opera” genre and have written my own five-book space opera series, starting with Firebird.

Most of your Star Wars work was in the period 1993-1996. Five years later you returned to write Balance Point for the New Jedi Order series. What made you leave in 1996… and what made you return in 2001?

Back in the 1990s, the Star Wars novels were being written by invitation (they might still be; I don’t know). It was an honor and a privilege to be asked. I also was asked to write for the Adventure Journal, but sadly, they stopped publishing. And my personal life got pretty complicated in the late 1990s, so I focused on other projects. In 2001, once again I received an invitation to write a Star Wars novel—from Shelly Shapiro at Del Rey Books, this time (shout out to Shelly!). Once again I was delighted and deeply honored.

When you returned for Balance Point in 2001 the Star Wars universe had changed a lot since you left it in 1996. How did you prepare for this novel? Since it was part of a series, did you read the previous New Jedi Order novels?

I definitely had catching up to do! By 2001, the Star Wars Role-Playing Game had become a major part of Star Wars fandom, and the good people at Del Rey sent me a crate of reference materials, sourcebooks, etc. I had the almost-unbelievable privilege of being flown to Skywalker Ranch for a planning session (at which I mostly sat quietly, since I had just been brought on board!). Those of us working on New Jedi Order novels cooperated closely with the authors whose novels came just before or just after ours. I had the privilege of reading several New Jedi Order novels in manuscript form, so I would be able to pick up the story right where the previous authors left it. I was expected to do the same thing, and I provided manuscripts to those who came after! Kudos to Del Rey and Lucasfilm for coordinating a series with such a rapid succession of release dates.

Which existing Star Wars character you enjoyed the most writing about?

Maybe it sounds a little cliché, but I really enjoyed writing about Luke Skywalker. He was so endearingly earnest, so determined to do the right thing no matter what it cost him. So horrified to learn he was descended from evil (since I’m a Christian, this speaks loudly to me about our fallen nature and our need for redemption!). He truly loved his friends, and he gave his all to his cause. The most delightful compliment I was ever paid, regarding my Star Wars novels, came from people at Lucasfilm who told me that I “really got Luke.” Wow.

Which Star Wars character created by you is your favorite?

I liked Gaeriel. Like me, she’s a woman of faith—and she struggles with what that will mean in her life. I wasn’t allowed to let her return Luke’s affection (Tim Zahn had already created Mara Jade!), but at least I could show this earnest young man struggling with his own highest priorities. Showing each of them walk away from a potential relationship because each one felt a higher calling… that was important to me.

In 2014, Disney declared the Expanded Universe was no longer canon. It became ‘Legends’. What do you think of this, seeing all of your work suddenly become non-canon?

Those of us writing the EU were always told, all along, from the very beginning (have I stressed that strongly enough?), “Only the Movies are Canon.” Sure, it was disappointing. And I hope the EU books aren’t all taken out of print, because many of them are outstanding explorations of all that Star Wars means to the fans. And fun to read, besides!

I agree. To be honest, I think the old EU is far, far superior to the new canon!

You have a degree in Christianity and the Arts and you taught a Sunday school course about The Lord of the Rings. Suppose you would do that about Star Wars…. what would you talk about?

Lord of the Rings was written by a devout Catholic who had a great deal to say about friendship, sacrifice, loss, and loyalty—from an understanding of the human metanarrative that was grounded in God’s revealing himself to one nation and then through one Man. Star Wars is grounded in a more universalist worldview, and it addressed many of the same big issues—friendship, sacrifice, loss, loyalty, etc. Although sometimes it shows characters coming up with the same answers (if there really are deep truths, we would expect that!), sometimes their answers seem quite different from the answers I think Tolkien would have shown. So, I think I would spend time talking about the differences and similarities in the way the different authors’ understanding of truth is SHOWN (another saying among writers is “show me, don’t tell me”—and this is a huge part of the power of story).

A friend of mine is a huge Bossk fan and he asked me to ask you this since you wrote Bossk’s backstory: a couple of years after you wrote Bossk’s story for Tales of Jabba’s Palace Bossk’s ship (the Hounds Tooth) was visualized. Was it the way you envisioned the ship?

I enjoyed what they did with the Hound’s Tooth. I’m such a strongly character-driven writer that while I can see my characters (and especially listen in on their conversations!) pretty easily, I find that creating the settings, including their ships, requires me to sit down and draw pictures. I love it when people take the ideas that come out in my stories and expand on them.


Meer unieke interviews vind je op: Star Wars Interviews – ‘Mem-Wars’ from a galaxy far, far away…

Star Wars Interviews

Lees verder
Advertentie

© Star Wars Awakens. All rights reserved. Star Wars is the intellectual property of Lucasfilm. © 2018 Lucasfilm Ltd.